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Shank's Mare: A Transcultural Journey of Puppetry Creation and Performance

Shank's Mare: A Transcultural Journey of Puppetry Creation and Performance <p>Abstract:</p><p>This article looks at the production <i>Shank&apos;s Mare</i>, a collaboration between North American puppeteer Tom Lee and Nishikawa Koryu V, master of the Japanese <i>kuruma ningyō</i> or cart puppetry traditions and shows how the production and creative process blended different models of puppet performance, while also contributing to Nishikawa&apos;s greater project of finding new ways to invigorate and preserve his traditional art. It offers a brief history and understanding of <i>kuruma ningyō</i>, a puppetry form less well-known nationally and internationally than Japan&apos;s <i>bunraku</i> tradition, and an account of <i>Shank&apos;s Mare&apos;s</i> creation process and international tour to New York and two venues in Japan. It invites consideration of a tree as a model for understanding traditional forms and how they might maintain a recognizable core while also drawing from various roots and giving birth to new works.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Shank&apos;s Mare: A Transcultural Journey of Puppetry Creation and Performance

Asian Theatre Journal , Volume 35 (1) – Apr 5, 2018

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p>Abstract:</p><p>This article looks at the production <i>Shank&apos;s Mare</i>, a collaboration between North American puppeteer Tom Lee and Nishikawa Koryu V, master of the Japanese <i>kuruma ningyō</i> or cart puppetry traditions and shows how the production and creative process blended different models of puppet performance, while also contributing to Nishikawa&apos;s greater project of finding new ways to invigorate and preserve his traditional art. It offers a brief history and understanding of <i>kuruma ningyō</i>, a puppetry form less well-known nationally and internationally than Japan&apos;s <i>bunraku</i> tradition, and an account of <i>Shank&apos;s Mare&apos;s</i> creation process and international tour to New York and two venues in Japan. It invites consideration of a tree as a model for understanding traditional forms and how they might maintain a recognizable core while also drawing from various roots and giving birth to new works.</p>

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Apr 5, 2018

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