Honoring the Past and Creating the Future in Hyperspace: New Technologies and Cultural Specificity

Honoring the Past and Creating the Future in Hyperspace: New Technologies and Cultural Specificity After tracing my academic journey from eighteenth-century English literary scholarship to new media production, I interweave three discursive strands: descriptions and demonstrations of several experimental interdisciplinary projects being produced at the Labyrinth Project, a research initiative on interactive narrative that I direct at the University of Southern California Annenberg Center for Communication; five general principles learned while making these projects; and tentative suggestions about how they might be applied to Pacific Islands studies. Despite the diversity of works presented (Mysteries and Desire: Searching the Worlds of John Rechy, an interactive memoir about gay Chicano novelist John Rechy; The Danube Exodus,a museum installation developed in collaboration with Hungarian filmmaker Péter Forgács; The Dawn at My Back: a Memoir of a Black Texas Upbringing, a DVD-ROM based on an autobiography by African-American photographer Carroll Parrott Blue; an e-learning course on Russian Modernism with an online role-playing game at its center; a computer game for teens called Runaways; and a website called Dreamwaves), all adhere to five basic principles: honoring the past, emphasizing conceptualization over technicalmastery, taking a collaborative approach to interface design, searching for culturally specific metaphors, and leveraging the transformative potential of database narratives. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Contemporary Pacific University of Hawai'I Press

Honoring the Past and Creating the Future in Hyperspace: New Technologies and Cultural Specificity

The Contemporary Pacific, Volume 15 (1) – Feb 10, 2003

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2003 University of Hawai'i Press.
ISSN
1527-9464
Publisher site
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Abstract

After tracing my academic journey from eighteenth-century English literary scholarship to new media production, I interweave three discursive strands: descriptions and demonstrations of several experimental interdisciplinary projects being produced at the Labyrinth Project, a research initiative on interactive narrative that I direct at the University of Southern California Annenberg Center for Communication; five general principles learned while making these projects; and tentative suggestions about how they might be applied to Pacific Islands studies. Despite the diversity of works presented (Mysteries and Desire: Searching the Worlds of John Rechy, an interactive memoir about gay Chicano novelist John Rechy; The Danube Exodus,a museum installation developed in collaboration with Hungarian filmmaker Péter Forgács; The Dawn at My Back: a Memoir of a Black Texas Upbringing, a DVD-ROM based on an autobiography by African-American photographer Carroll Parrott Blue; an e-learning course on Russian Modernism with an online role-playing game at its center; a computer game for teens called Runaways; and a website called Dreamwaves), all adhere to five basic principles: honoring the past, emphasizing conceptualization over technicalmastery, taking a collaborative approach to interface design, searching for culturally specific metaphors, and leveraging the transformative potential of database narratives.

Journal

The Contemporary PacificUniversity of Hawai'I Press

Published: Feb 10, 2003

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