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"Happy, Happy, Ever After": The Transformation of Trauma between the Generations in Art Spiegelman's Maus: A Survivor's Tale

"Happy, Happy, Ever After": The Transformation of Trauma between the Generations in Art... <p> This essay considers Maus as a work that spans the genres of autobiography and collaborative biography, as Art Spiegelman negotiates the difficulties of heteropathic identification&#x02014;most successfully with his father Vladek, and more problematically with his mother Anja and brother Richieu. In analyzing the ways that Spiegelman struggles to narrate an identity within a family for whose founding trauma he was absent, the essay also investigates the ways that he seeks to intervene in public debates on visual art of the Holocaust. </p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Biography University of Hawai'I Press

"Happy, Happy, Ever After": The Transformation of Trauma between the Generations in Art Spiegelman&apos;s Maus: A Survivor&apos;s Tale

Biography , Volume 27 (4) – Feb 21, 2005

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2004 Biographical Research Center.
ISSN
0162-4962
eISSN
1529-1456

Abstract

<p> This essay considers Maus as a work that spans the genres of autobiography and collaborative biography, as Art Spiegelman negotiates the difficulties of heteropathic identification&#x02014;most successfully with his father Vladek, and more problematically with his mother Anja and brother Richieu. In analyzing the ways that Spiegelman struggles to narrate an identity within a family for whose founding trauma he was absent, the essay also investigates the ways that he seeks to intervene in public debates on visual art of the Holocaust. </p>

Journal

BiographyUniversity of Hawai'I Press

Published: Feb 21, 2005

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