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From the Editor

From the Editor This issue is primarily devoted to the editorial work of Arya Madha- van, whose introduction to the special issue follows. After the materi- als edited by Madhavan, I append selected “regular” articles, but, in keeping with the female-centric focus, have included pieces by women advancing research (Karen Kartomi Thomas and K. Frances Lieder), or about a significant women-led work (Zukifli Mohammed’s article on Malaysia’s Suasana Dance Company). The issue casts more light on the too often ignored contributions of women to our field. I hope the questions Madhavan raises in her introduction and the cross-talk that the articles provide can advance thinking about how gender factors into the Asian performance field. Kathy Foley University of California, Santa Cruz http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

From the Editor

Asian Theatre Journal , Volume 32 (2) – Sep 14, 2015

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

This issue is primarily devoted to the editorial work of Arya Madha- van, whose introduction to the special issue follows. After the materi- als edited by Madhavan, I append selected “regular” articles, but, in keeping with the female-centric focus, have included pieces by women advancing research (Karen Kartomi Thomas and K. Frances Lieder), or about a significant women-led work (Zukifli Mohammed’s article on Malaysia’s Suasana Dance Company). The issue casts more light on the too often ignored contributions of women to our field. I hope the questions Madhavan raises in her introduction and the cross-talk that the articles provide can advance thinking about how gender factors into the Asian performance field. Kathy Foley University of California, Santa Cruz

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Sep 14, 2015

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