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Dunhuang Performing Arts: The Construction and Transmission Of "China-Scape" in the Global Context) by Lanlan Kuang (review)

Dunhuang Performing Arts: The Construction and Transmission Of "China-Scape" in the Global... BOOK REVIEWS 237 and manifestations of genre differences in screen/stage representa- tions. To all colleagues who share similar curiosity, concern, and interest to that of my student mentioned at the beginning of the review, I would strongly recommend Staging Chinese Revolution, an exemplary scholarship which offers not only profound knowledge but also the pleasure of a very good read. XING FAN University of Toronto Dunhuang bihua yuewu: “Zhongguo jingguan” zai guoji yujing zhong de jiangou, chuanbo yu yiyi (敦煌壁画乐舞: ‘中国景观’在国际语境中的建 构、传播与意义, DUNHUANG PERFORMING ARTS: THE CONSTRUCTION AND TRANSMISSION OF “CHINA-SCAPE” IN THE GLOBAL CONTEXT). By Lanlan Kuang (邝蓝岚). 社会科学文 献出版社. Beijing: Social Science Academic Press, 2016. 293 pp. Paper, <89 CNY, $13 US. Dunhuang Performing Arts is the first academic monograph by Lanlan Kuang, a US-based scholar who currently serves as assistant professor of philosophy and co-director of the China-US Ethnic Cultural Exchange and Joint Research Initiatives at the University of Central Florida. Kuang earned her PhD in 2012 from the Department of Folklore and Ethnomusicology at Indiana University, Bloomington for her disserta- tion “Staging the Cosmopolitan Nation: The Re-Creation of the Dunhuang bihua yuewu, a Multifaceted Music, Dance, and Theatrical Drama from China” and has published journal articles http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Dunhuang Performing Arts: The Construction and Transmission Of "China-Scape" in the Global Context) by Lanlan Kuang (review)

Wilcox, Emily
Asian Theatre Journal , Volume 35 (1) – Apr 5, 2018
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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

BOOK REVIEWS 237 and manifestations of genre differences in screen/stage representa- tions. To all colleagues who share similar curiosity, concern, and interest to that of my student mentioned at the beginning of the review, I would strongly recommend Staging Chinese Revolution, an exemplary scholarship which offers not only profound knowledge but also the pleasure of a very good read. XING FAN University of Toronto Dunhuang bihua yuewu: “Zhongguo jingguan” zai guoji yujing zhong de jiangou, chuanbo yu yiyi (敦煌壁画乐舞: ‘中国景观’在国际语境中的建 构、传播与意义, DUNHUANG PERFORMING ARTS: THE CONSTRUCTION AND TRANSMISSION OF “CHINA-SCAPE” IN THE GLOBAL CONTEXT). By Lanlan Kuang (邝蓝岚). 社会科学文 献出版社. Beijing: Social Science Academic Press, 2016. 293 pp. Paper, <89 CNY, $13 US. Dunhuang Performing Arts is the first academic monograph by Lanlan Kuang, a US-based scholar who currently serves as assistant professor of philosophy and co-director of the China-US Ethnic Cultural Exchange and Joint Research Initiatives at the University of Central Florida. Kuang earned her PhD in 2012 from the Department of Folklore and Ethnomusicology at Indiana University, Bloomington for her disserta- tion “Staging the Cosmopolitan Nation: The Re-Creation of the Dunhuang bihua yuewu, a Multifaceted Music, Dance, and Theatrical Drama from China” and has published journal articles

Journal

Asian Theatre Journal – University of Hawai'I Press

Published: Apr 5, 2018

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