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Confucianism and Women: A Philosophical Interpretation (review)

Confucianism and Women: A Philosophical Interpretation (review) Reviews 371 surrounding contemporary Chinese urbanites. Even they did not have simple or easy answers to what they wanted from the modern China that they were in the process of making, embodying, performing--and seeing. Lisa Claypool Lisa Claypool currently is a senior fellow at the Smithsonian Institution, where she is completing her first book, "Figuring the Social Body: Painting Manuals in Late Imperial China." Notes 1. Walter Benjamin, "The Work of Art in the Age of Its Technological Reproducibility," in Walter Benjamin, Selected Writings, ed. Marcus Bullock and Michael Jennings (Cambridge, MA: Belknap Press, 1996) 4:251­283. 2. See, for instance, Laura Mulvey's description of the darkened interior of a movie theater as fostering a sense of privacy within a public space in her classic 1975 essay, "Visual Pleasure and Narrative Cinema," in Visual and Other Pleasures (New York: Macmillan, 1989), pp. 14­26. Li-Hsiang Lisa Rosenlee. Confucianism and Women: A Philosophical Interpretation. Albany: State University of New York Press, 2006. x, 200 pp. Hardcover $65.00, ISBN 0-7914-6749-X. The purpose of this book, as Li-Hsiang Lisa Rosenlee explains in her deeply personal "Reflections and Conclusions" (p. 159f.), is "to answer to myself what it means to be a Chinese Confucian http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png China Review International University of Hawai'I Press

Confucianism and Women: A Philosophical Interpretation (review)

China Review International , Volume 16 (3) – Jan 6, 2009

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Publisher
University of Hawai'I Press
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Copyright © University of Hawai'I Press
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1527-9367
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Abstract

Reviews 371 surrounding contemporary Chinese urbanites. Even they did not have simple or easy answers to what they wanted from the modern China that they were in the process of making, embodying, performing--and seeing. Lisa Claypool Lisa Claypool currently is a senior fellow at the Smithsonian Institution, where she is completing her first book, "Figuring the Social Body: Painting Manuals in Late Imperial China." Notes 1. Walter Benjamin, "The Work of Art in the Age of Its Technological Reproducibility," in Walter Benjamin, Selected Writings, ed. Marcus Bullock and Michael Jennings (Cambridge, MA: Belknap Press, 1996) 4:251­283. 2. See, for instance, Laura Mulvey's description of the darkened interior of a movie theater as fostering a sense of privacy within a public space in her classic 1975 essay, "Visual Pleasure and Narrative Cinema," in Visual and Other Pleasures (New York: Macmillan, 1989), pp. 14­26. Li-Hsiang Lisa Rosenlee. Confucianism and Women: A Philosophical Interpretation. Albany: State University of New York Press, 2006. x, 200 pp. Hardcover $65.00, ISBN 0-7914-6749-X. The purpose of this book, as Li-Hsiang Lisa Rosenlee explains in her deeply personal "Reflections and Conclusions" (p. 159f.), is "to answer to myself what it means to be a Chinese Confucian

Journal

China Review InternationalUniversity of Hawai'I Press

Published: Jan 6, 2009

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