Pl ate 1. Didik Nini Towok (left) with his teacher Ibu Sawitri, a topeng cirebon (mask dance) artist of Losari village, Cirebon, Indonesia. Didik has studied mask performance and gender impersonation with traditional masters throughout Asia and mixes tradition and innovation in his performances. (Photo: LPKT) Pl ate 2. Didik Nini Towok's antics in his Pancasari ("five essences") combine traditional masks and modern comedy. (Photo: LPKT) Pl ate 3. A 2001 production by Didik Nini Towok mixed Japanese nö and Javanese refined female court dance in Bedaya Hogoromo to tell the Japanese story of a Bird Woman (center) whose feather wings are stolen. The dancers on each side are dressed in the style of Javanese bedhaya dance. (Photo: LPKT) Pl ate 4. Japanese Shishi mask from the Oka Collection at the British Museum. (Photo: Margaret Coldiron) Pl ate 5. Balinese Barong Ket in performance at Puri Saren, Ubud, Bali. (Photo: Margaret Coldiron) Pl ate 6. Japanese Aka-Hannya carved by Hiroyuki Yamamoto. (Photo: Margaret Coldiron) Pl ate 7. Balinese Rangda mask carved by Ida Bagus Alit. (Photo: Margaret Coldiron) (Below, L to R) Pl ate 8. Balinese Sidha Karya mask carved by Anak Agung Gede Ngurah. (Photo: Margaret Coldiron)
Asian Theatre Journal – University of Hawai'I Press
Published: Oct 31, 2005
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