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Choreographing Difference: The (Body) Politics of Banaban Dance

Choreographing Difference: The (Body) Politics of Banaban Dance This article discusses Banaban choreography as an expression of historical and postcolonial identities and, more specifically, relations between Banabans and I-Kiribati in terms of what I understand as the Banaban production of difference through dance. This process is shaped by a strategic approach to representing and reconstructing the past and kinship. I explore some of the tensions around history, kinship, and performance that resulted from the impact of phosphate mining and eventual displacement of Banabans from the Gilbert and Ellice Islands Colony (now Kiribati and Tuvalu) to Rabi in Fiji. I also discuss how this research opens up possibilities for a more corporeal approach to Pacific studies. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Contemporary Pacific University of Hawai'I Press

Choreographing Difference: The (Body) Politics of Banaban Dance

The Contemporary Pacific , Volume 24 (1) – Feb 12, 2012

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 University of Hawai'i Press.
ISSN
1527-9464

Abstract

This article discusses Banaban choreography as an expression of historical and postcolonial identities and, more specifically, relations between Banabans and I-Kiribati in terms of what I understand as the Banaban production of difference through dance. This process is shaped by a strategic approach to representing and reconstructing the past and kinship. I explore some of the tensions around history, kinship, and performance that resulted from the impact of phosphate mining and eventual displacement of Banabans from the Gilbert and Ellice Islands Colony (now Kiribati and Tuvalu) to Rabi in Fiji. I also discuss how this research opens up possibilities for a more corporeal approach to Pacific studies.

Journal

The Contemporary PacificUniversity of Hawai'I Press

Published: Feb 12, 2012

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