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Artistic Production and the Making of the Artist: Applying Nishida Kitarō to Discussions of Authorship

Artistic Production and the Making of the Artist: Applying Nishida Kitarō to Discussions of... <p>Abstract:</p><p>Nishida Kitarō&apos;s account of authorship and artistic production constitutes the focus of this essay. Its general thesis is that Nishida&apos;s keen attention to the subjective <i>qua</i> objective, active qua intuitive intersection can be used to articulate a new, bidirectional account of artistic production.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Philosophy East and West University of Hawai'I Press

Artistic Production and the Making of the Artist: Applying Nishida Kitarō to Discussions of Authorship

Philosophy East and West , Volume 68 (2) – Apr 10, 2018

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 University of Hawai'i Press.
ISSN
1529-1898

Abstract

<p>Abstract:</p><p>Nishida Kitarō&apos;s account of authorship and artistic production constitutes the focus of this essay. Its general thesis is that Nishida&apos;s keen attention to the subjective <i>qua</i> objective, active qua intuitive intersection can be used to articulate a new, bidirectional account of artistic production.</p>

Journal

Philosophy East and WestUniversity of Hawai'I Press

Published: Apr 10, 2018

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