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All Three Fear Their Wives (Sanpaqi) : A Post-Midnight Shadow Play

All Three Fear Their Wives (Sanpaqi) : A Post-Midnight Shadow Play Abstract: Post-midnight plays were bawdy, skitlike plays performed late at night, after the women and children have left. Traditionally characterized by lascivious content, they did not use playscript and were frowned upon by the Confucian literati and government. Many Chinese xiqu (opera) traditions may have performed post-midnight plays throughout China, but rarely have they been transcribed or even described. All Three Fear Their Wives is a rare transcription of a play of this genre. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

All Three Fear Their Wives (Sanpaqi) : A Post-Midnight Shadow Play

Asian Theatre Journal , Volume 26 (2) – Feb 6, 2009

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Publisher
University of Hawai'I Press
Copyright
Copyright © University of Hawai'I Press
ISSN
1527-2109
Publisher site
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Abstract

Abstract: Post-midnight plays were bawdy, skitlike plays performed late at night, after the women and children have left. Traditionally characterized by lascivious content, they did not use playscript and were frowned upon by the Confucian literati and government. Many Chinese xiqu (opera) traditions may have performed post-midnight plays throughout China, but rarely have they been transcribed or even described. All Three Fear Their Wives is a rare transcription of a play of this genre.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Feb 6, 2009

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