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About the Artist

About the Artist John Pule was born in 1962 in Liku, Niue. In 1964 he went to live in Auck- land, where he still resides. Pule is a nov- elist, poet, painter, and multimedia per- formance artist. This issue features Pule’s painting. Internationally recognized, Pule’s art has appeared in the Museum of Australia in Sydney (1998); the Aus- tralia National Gallery in Canberra (2000); the Wellington Art Museum, New Zealand (2000); and the Auckland Toi Tamaki Art Museum (solo exhibition 2000); as well as in galleries in Korea, Photo by John Pettitt South Africa, and Hawai‘i. Like many Pacific artists, Pule draws from the art traditions of his ances- tors, particularly Niuean barkcloth (hiapo), as well as his family and per- sonal histories and experiences. Images and designs on traditional Niuean barkcloth were drawn freehand, giving them an open and experimental look. Pule is inspired by this ancient tradition but is not bound by it as he creates paintings that display a much richer and freer artistic vision, one both personal and universal. Each painting tells a story or comments on some aspect of life or the artist’s experiences. Familiar images (such as birds, plants, human beings, tattoo patterns, fishes, or lizards) gleaned from the earth, sea, sky, dreams, human action, fantasy, memory—indeed, from anywhere and everywhere— dazzle the eye. We have never seen them rendered or juxtaposed with such passion and originality in any other artist’s work. Pule’s paintings are inspired by the Gods of Polynesia, old and new. The end result is akin to experiences to be had at a Pacific feast or gathering. The artist invites us to feast the eye, to see the contemporary Pacific with new eyes. Pule wants us to experience the Pacific’s passion, loss, recovery, and creative dynamism. ix http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Contemporary Pacific University of Hawai'I Press

About the Artist

The Contemporary Pacific , Volume 15 (1) – Feb 10, 2003

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2003 University of Hawai'i Press.
ISSN
1527-9464

Abstract

John Pule was born in 1962 in Liku, Niue. In 1964 he went to live in Auck- land, where he still resides. Pule is a nov- elist, poet, painter, and multimedia per- formance artist. This issue features Pule’s painting. Internationally recognized, Pule’s art has appeared in the Museum of Australia in Sydney (1998); the Aus- tralia National Gallery in Canberra (2000); the Wellington Art Museum, New Zealand (2000); and the Auckland Toi Tamaki Art Museum (solo exhibition 2000); as well as in galleries in Korea, Photo by John Pettitt South Africa, and Hawai‘i. Like many Pacific artists, Pule draws from the art traditions of his ances- tors, particularly Niuean barkcloth (hiapo), as well as his family and per- sonal histories and experiences. Images and designs on traditional Niuean barkcloth were drawn freehand, giving them an open and experimental look. Pule is inspired by this ancient tradition but is not bound by it as he creates paintings that display a much richer and freer artistic vision, one both personal and universal. Each painting tells a story or comments on some aspect of life or the artist’s experiences. Familiar images (such as birds, plants, human beings, tattoo patterns, fishes, or lizards) gleaned from the earth, sea, sky, dreams, human action, fantasy, memory—indeed, from anywhere and everywhere— dazzle the eye. We have never seen them rendered or juxtaposed with such passion and originality in any other artist’s work. Pule’s paintings are inspired by the Gods of Polynesia, old and new. The end result is akin to experiences to be had at a Pacific feast or gathering. The artist invites us to feast the eye, to see the contemporary Pacific with new eyes. Pule wants us to experience the Pacific’s passion, loss, recovery, and creative dynamism. ix

Journal

The Contemporary PacificUniversity of Hawai'I Press

Published: Feb 10, 2003

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