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Table of Contents

Table of Contents ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXX, number 2 Fall, 2006 MATTHEW HEAD ALFRED W. CRAMER Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont 97 Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody 133 Hanslick's Idealist Materialism 166 MARK BURFORD ELAINE KELLY fall 2000 volume xxiv number 2 Evolution versus Authenticity: Johannes Brahms, Robert Franz, and Continuo Practice in the Late Nineteenth Century 182 Alternative Realities: A Reply to Richard Taruskin Editors 209 212 NICHOLAS COOK COMMENT & CHRONICLE DIRECTIONS TO CONTRIBUTORS http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Table of Contents

19th-Century Music , Volume 30 (2) – Oct 1, 2006

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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2006.30.2.toc
Publisher site
See Article on Publisher Site

Abstract

ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXX, number 2 Fall, 2006 MATTHEW HEAD ALFRED W. CRAMER Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont 97 Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody 133 Hanslick's Idealist Materialism 166 MARK BURFORD ELAINE KELLY fall 2000 volume xxiv number 2 Evolution versus Authenticity: Johannes Brahms, Robert Franz, and Continuo Practice in the Late Nineteenth Century 182 Alternative Realities: A Reply to Richard Taruskin Editors 209 212 NICHOLAS COOK COMMENT & CHRONICLE DIRECTIONS TO CONTRIBUTORS

Journal

19th-Century MusicUniversity of California Press

Published: Oct 1, 2006

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