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Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson

Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson 880 Journal of the American Musicological Society Bohlman’s insistence on the plural solidarities that animated the opposition in its heyday suggests that the tensions and disagreements that so define Solidarity’s inheritors today had percolated throughout the movement’s earlier successes, if only we knew how to listen for them. “We—both his- torians and political actors ourselves—hear the loud rallying cries of change more easily than mixed messages and disinterest,” she reminds us (p. 143). Listening closely to the musical culture of 1980s Poland, Bohlman has brilliantly shown, provides a way not only of escaping the tired narrative of democratic triumphalism at the end of the Cold War, but also of appreciat- ing the fragile, shifting allegiances on which political action inevitably relies. J. MACKENZIE PIERCE Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson. New York: Oxford University Press, 2022. x, 118 pp. Licia Carlson is a philosopher of disability and biomedical ethics who has written extensively on the topic of intellectual disability. In her first book, The Faces of Intellectual Disability: Philosophical Reflections (2010), Carlson undertook a Foucauldian excavation of her own discipline and its frequently hostile attitudes toward intellectually disabled persons. Many philosophers, she argued, have http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the American Musicological Society University of California Press

Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson

Journal of the American Musicological Society , Volume 76 (3): 4 – Dec 1, 2023

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Publisher
University of California Press
Copyright
© 2023 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
ISSN
0003-0139
eISSN
1547-3848
DOI
10.1525/jams.2023.76.3.880
Publisher site
See Article on Publisher Site

Abstract

880 Journal of the American Musicological Society Bohlman’s insistence on the plural solidarities that animated the opposition in its heyday suggests that the tensions and disagreements that so define Solidarity’s inheritors today had percolated throughout the movement’s earlier successes, if only we knew how to listen for them. “We—both his- torians and political actors ourselves—hear the loud rallying cries of change more easily than mixed messages and disinterest,” she reminds us (p. 143). Listening closely to the musical culture of 1980s Poland, Bohlman has brilliantly shown, provides a way not only of escaping the tired narrative of democratic triumphalism at the end of the Cold War, but also of appreciat- ing the fragile, shifting allegiances on which political action inevitably relies. J. MACKENZIE PIERCE Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson. New York: Oxford University Press, 2022. x, 118 pp. Licia Carlson is a philosopher of disability and biomedical ethics who has written extensively on the topic of intellectual disability. In her first book, The Faces of Intellectual Disability: Philosophical Reflections (2010), Carlson undertook a Foucauldian excavation of her own discipline and its frequently hostile attitudes toward intellectually disabled persons. Many philosophers, she argued, have

Journal

Journal of the American Musicological SocietyUniversity of California Press

Published: Dec 1, 2023

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