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The Latin Compositions in Fascicules VII and VIII of W2
Janet Knapp also states that, in sources after F and W2
(1997)
Latin Texts in the Early Motet Collections: Relationships and Perspectives
Motets in the Thirteenth Century, 30; and Roesner
(2008)
Thirteenth-Century Notations of Music and Arts of Performance,'' in Vom Preis des Fortschritts: Gewinn und Verlust in der Musikgeschichte, Studien zur Wertungsforschung 49
It may be significant that Ave Maria/LATUS is the only motet in Ma that is musically related to a motet in F but recorded with a different motet text in Ma
The Medieval Motet
G. Brett
The thirteenth century.
This article examines a family of thirteenth-century discant and motets on the tenor LATUS, tracing complex relationships between the various incarnations of its shared musical material: passages of melismatic discant in two- and three-voices, a three-voice Latin conductus motet, a two-voice Latin and French motet, and a three-voice Latin double motet. I query conventional fundamentally linear models of discant-motet interaction, emphasizing the possibility of simultaneously filial and collateral interrelationships between versions: different motet texts can influence each other, while retaining independent connections with an earlier melismatic discant model. This leads to a reevaluation of traditional evolutionary and stylistic perceptions of sub-genres defined within the category of motet. The article addresses questions of compositional process, reflecting on the types of creative and scribal activities involved in the formulation of motets.
Journal of Musicology – University of California Press
Published: Apr 1, 2015
Keywords: clausulae discant Latin motets musical reuse thirteenth-century polyphony
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