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Here Kantorowicz invites comparison with that other great maker of myths about the early modern period, Jacob Burckhardt (whose own Civilization of the Mon
(1927)
In this and the following paragraph, I draw on Ernst Cassirer, The Philosophy of Symbolic Forms
(1946)
The Myth of the State (New Haven, CT
V. Kahn (2003)
Hamlet or Hecuba: Carl Schmitt' s DecisionRepresentations, 83
(1990)
Sovereign Power and Bare Life
Claude Lefort (2006)
The Permanence of the Theologico-political?
Of Corporations
(2006)
For the history of the term, see Hent de Vries’s introduction to Political Theologies, ed
(1973)
The Sovereignty of the Artist , ” originally published in 1961 and republished in Ernst H Dante , The Divine Comedy , trans . with a commentary by Charles Singleton ( Princeton ,
(1929)
the last chapter of which begins by citing George's praise of Dante
(2001)
Not the King's Two Bodies: Reading the 'Body Politic' in Shakespeare's Henry IV, Parts 1 and 2
E. Cassirer (1952)
The Philosophy of the Enlightenment
“ Permanence , ” 233
E. Young (2009)
COLUMBIA LAW REVIEW
(1994)
Walter Benjamin's Ursprung des deutschen Trauerspiels und Ernst H. Kantorowicz's Die Zwei Körper des Königs. Ein Vergleich
(1973)
The Divine Comedy, trans
K. Eden (1986)
Poetic and Legal Fiction in the Aristotelian Tradition
Kantorowicz calls the idea of the king's two bodies a fiction on 18
(1944)
206 and 228, cited in Cassirer
Weber argues that Schmitt's model here is the crucifixion-not simply incarnation
(1999)
Whether Kantorowicz’s genealogy of English constitutionalist thinking
(1996)
In later work , Schmitt will attribute this declension to Hobbes
P. Gordon (2004)
CONTINENTAL DIVIDE: ERNST CASSIRER AND MARTIN HEIDEGGER AT DAVOS, 1929—AN ALLEGORY OF INTELLECTUAL HISTORYModern Intellectual History, 1
Histoires d'un historien
Samuel Weber (2005)
"The Principle of Representation": Carl Schmitt's Roman Catholicism and Political Form
(2002)
It would not have been surprising at all had Charles I himself thought of his tragic fate in terms of Shakespeare's Richard II and of the king's twin-born being
(2006)
What Is Political Theology?” in Leo Strauss and the TheologicalPolitical Problem, trans
(1938)
Schmitt will attribute this declension to Hobbes. See in particular Schmitt's The Leviathan in the State Theory of Thomas Hobbes
Kantorowicz and Postwar Historiography : German and European Perspectives , ” in Ernst Kantorowicz
(1911)
singles out Alexander the Great, Caesar, and Napoleon as world-historical figures in the realm of politics, and Dante, Shakespeare and Goethe as their counterparts in the realm of language
On Schmitt's idea of the institution, and the way it qualifies his decisionism, see Bates
Schiller , “ Dante and Kantorowicz : Medieval History as Art and Autobiography
it seems clear this is one of its connotations, given the usual connotations of the laurel and Paradiso 1.29 where the laurel is used to crown "o cesare, o poeta
(1998)
The Lesson of Carl Schmitt
(1946)
On TKTB as engaging Cassirer's naive view of myth in The Myth of the State, see Joseph Mali, Mythhistory: The Making of a Modern Historiography
This essay argues that Ernst Kantorowicz's The King's Two Bodies is intended as a contribution to twentieth-century debates about political theology and that modern students of political theology can learn from Kantorowicz's association of political theology with legal fiction.
Representations – University of California Press
Published: Apr 1, 2009
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