Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape

Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape Abstract This article looks at the first four films of contemporary Korean filmmaker Hong Sangsoo. It seeks in particular to explore Hong's use of “lines” as geographical and behavioral figures that chart the contemporary landscape of South Korea at a complex moment in its history. The lines that traverse Hong's world produce a cinema of tangled webs and knotted relations. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Film Quarterly University of California Press

Hong Sangsoo's Lines of Inquiry, Communication, Defense, and Escape

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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0015-1386
eISSN
1533-8630
D.O.I.
10.1525/fq.2004.57.4.22
Publisher site
See Article on Publisher Site

Abstract

Abstract This article looks at the first four films of contemporary Korean filmmaker Hong Sangsoo. It seeks in particular to explore Hong's use of “lines” as geographical and behavioral figures that chart the contemporary landscape of South Korea at a complex moment in its history. The lines that traverse Hong's world produce a cinema of tangled webs and knotted relations.

Journal

Film QuarterlyUniversity of California Press

Published: Jul 1, 2004

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