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Front Matter

Front Matter AMONG OUR CONTRIBUTORS Caetlin Benson-Allott writes about video distribution, exploitation and horror films, and queer theory. She teaches courses on gender and technology studies and new media history at the University of California, Santa Cruz, and is currently revising a book manuscript entitled Imperio-Video: Motion Pictures, Spectatorship, and the Politics of New Media. Ernest Callenbach, founding editor of Film Quarterly, also edited film books and the Natural History Guides series at University of California Press. On the side he wrote a futurist novel, Ecotopia (Bantam edition, 1990), which has sold almost a million copies in nine languages, and its prequel, Ecotopia Emerging (Heyday Books, 1981). He is also the author of Ecology: A Pocket Guide (University of California Press, 1998). Lalitha Gopalan is the author of Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (BFI Publishing, 2002) and Bombay (BFI Modern Classics, 2005). She is the editor of 24 Frames: Indian Cinema (Wallflower Press, forthcoming 2008). Geoffrey Nowell-Smith is Senior Research Fellow at Queen Mary, University of London. A former editor of Screen, translator of Gramsci, and teacher of film studies in the U.K. and U.S., he is writing a history of the British Film Institute, where he was, from 1978­89, successively Head of Education and Head of Publishing. He is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008). James S. Williams is the author of Jean Cocteau (Manchester University Press, 2006) and co-editor of Gender and French Cinema (Berg, 2001), The Cinema Alone: Essays on the Work of Jean-Luc Godard 1985­2000 (Amsterdam University Press, 2000), For Ever Godard (Black Dog Publishing, 2004), and Jean-Luc Godard: Documents (Editions du Centre Pompidou, 2006), catalog of the Pompidou's exhibition Voyage(s) en Utopie. EDITOR Rob White CONSULTING EDITOR Ann Martin BOOK REVIEW EDITOR Matthew H. Bernstein EDITORIAL BOARD Christine Acham, Leo Braudy, Ernest Callenbach, Joshua Clover, Brian Henderson, Marsha Kinder, Akira Mizuta Lippit, D. A. Miller, Linda Williams WRITERS-AT-LARGE Joan Mellen, James Naremore, Jonathan Rosenbaum DESIGN Irene Imfeld TYPESETTING Dickie Magidoff ADVISORY BOARD NETWORK Mike Allen (Birkbeck College, University of London), Rick Altman (University of Iowa), Dudley Andrew (Yale University), Jennifer Bean (University of Washington), John Belton (Rutgers University), Chris Berry (Goldsmiths College, University of London), Charlotte Brunsdon (University of Warwick), Don Crafton (University of Notre Dame), Jane Gaines (Duke University), Lalitha Gopalan (University of Texas, Austin), Tom Gunning (University of Chicago), Heather Hendershot (Queens College), Charlie Keil (University of Toronto), Amy Lawrence (Dartmouth College), Hamid Naficy (Northwestern University), James Naremore (Indiana University), Diane Negra (University of East Anglia), Chon Noriega (University of California, Los Angeles), Abé Mark Nornes (University of Michigan), Patrice Petro (University of Wisconsin-Milwaukee), Joanna Rapf (University of Oklahoma), A.L. Rees (Royal College of Art), Philip Rosen (Brown University), Vivian Sobchack (University of California, Los Angeles), Lynn Spigel (Northwestern University), Janet Staiger (University of Texas, Austin), Shelley Stamp (University of California, Santa Cruz), Jacqueline Stewart (Northwestern University), Haidee Wasson (Concordia University), James S. Williams (Royal Holloway, University of London) COVER PHOTO Alain Delon and Monica Vitti in L'eclisse (Michelangelo Antonioni, 1962). Courtesy The Criterion Collection. EDITOR'S THANKS Brian Carmody, Sean Marier; Richard Brown, Rob Cheek, Mark Sinker; Cathy Fisher, Krishnan Hariharan, Adam Harrison, Andrew Herwitz, Jesse Moss, Debbie Murray, Jef Nuyts, Chetan Shah, Ameer Sulthan, Nick Wrigley Film Quarterly (ISSN 0015-1386. USPS 0190-480) is published quarterly by University of California Press, Journals and Digital Publishing, 2000 Center Street, #303, Berkeley, CA 94704-1223. Periodicals postage paid at Berkeley, California, and at additional mailing offices. Postmaster: Send address changes to Film Quarterly, University of California Press, Journals and Digital Publishing, 2000 Center Street, #303, Berkeley, California 947041223. SUBMISSION GUIDELINES For detailed guidelines, go to: www.filmquarterly.org. SUBSCRIPTIONS $42 per year for individuals, $175 per year for institutions; $138 per year for institutional subscriptions with electronic access only. Subscribers outside North America, add $20 for postage. Single issues are $12 for individuals, $46 for institutions. Student/retired: subscription $31 per year for individuals, single issue $12. Canadian subscribers add 5% to the subscription price. GST 89626 2698 RT0001. Domestic claims for non-receipt of issue must be made within 90 days of the mail date, overseas claims within 180 days (mail dates can be checked here: http://www.ucpressjournals.com/ucpress.asp ?page=ReleaseSchedule). UC Press does not begin accepting claims for an issue until thirty (30) days after the mail date. Requests for subscriptions and advertising rate cards should be sent to Journals and Digital Publishing at the above address, or to journals@ucpress.edu. COPYING AND PERMISSIONS Authorization to copy article content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee through the Copyright Clearance Center (CCC), www.copyright. com. To reach the CCC's Customer Service Department, call 978-750-8400 or write to 222 Rosewood Drive, Danvers, MA 01923. Permission to distribute electronically, republish, resell, or re-purpose material from 2001 forward, as well as requests for article reprints or offprints, can be fulfilled online through the CCC's Rightslink service on Caliber at http:// caliber.ucpress.net. For complete abstracting and indexing information, please visit www. ucpressjournals.com. Printed in USA by Allen Press, Lawrence, KS. E Printed on recycled paper. Paper used in this publication is elemental chlorine free and meets minimum requirements of American National Standard for Information Sciences--Permanence of Paper for Printed Library Materials, ANSI Z39.48-1994. © 2008 by the Regents of the University of California. The views expressed in the articles, reviews, and columns are those of the authors only. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Film Quarterly University of California Press

Front Matter

Film Quarterly , Volume 62 (1) – Oct 1, 2008
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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0015-1386
eISSN
1533-8630
DOI
10.1525/fq.2008.62.1.fm
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Abstract

AMONG OUR CONTRIBUTORS Caetlin Benson-Allott writes about video distribution, exploitation and horror films, and queer theory. She teaches courses on gender and technology studies and new media history at the University of California, Santa Cruz, and is currently revising a book manuscript entitled Imperio-Video: Motion Pictures, Spectatorship, and the Politics of New Media. Ernest Callenbach, founding editor of Film Quarterly, also edited film books and the Natural History Guides series at University of California Press. On the side he wrote a futurist novel, Ecotopia (Bantam edition, 1990), which has sold almost a million copies in nine languages, and its prequel, Ecotopia Emerging (Heyday Books, 1981). He is also the author of Ecology: A Pocket Guide (University of California Press, 1998). Lalitha Gopalan is the author of Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (BFI Publishing, 2002) and Bombay (BFI Modern Classics, 2005). She is the editor of 24 Frames: Indian Cinema (Wallflower Press, forthcoming 2008). Geoffrey Nowell-Smith is Senior Research Fellow at Queen Mary, University of London. A former editor of Screen, translator of Gramsci, and teacher of film studies in the U.K. and U.S., he is writing a history of the British Film Institute, where he was, from 1978­89, successively Head of Education and Head of Publishing. He is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008). James S. Williams is the author of Jean Cocteau (Manchester University Press, 2006) and co-editor of Gender and French Cinema (Berg, 2001), The Cinema Alone: Essays on the Work of Jean-Luc Godard 1985­2000 (Amsterdam University Press, 2000), For Ever Godard (Black Dog Publishing, 2004), and Jean-Luc Godard: Documents (Editions du Centre Pompidou, 2006), catalog of the Pompidou's exhibition Voyage(s) en Utopie. EDITOR Rob White CONSULTING EDITOR Ann Martin BOOK REVIEW EDITOR Matthew H. Bernstein EDITORIAL BOARD Christine Acham, Leo Braudy, Ernest Callenbach, Joshua Clover, Brian Henderson, Marsha Kinder, Akira Mizuta Lippit, D. A. Miller, Linda Williams WRITERS-AT-LARGE Joan Mellen, James Naremore, Jonathan Rosenbaum DESIGN Irene Imfeld TYPESETTING Dickie Magidoff ADVISORY BOARD NETWORK Mike Allen (Birkbeck College, University of London), Rick Altman (University of Iowa), Dudley Andrew (Yale University), Jennifer Bean (University of Washington), John Belton (Rutgers University), Chris Berry (Goldsmiths College, University of London), Charlotte Brunsdon (University of Warwick), Don Crafton (University of Notre Dame), Jane Gaines (Duke University), Lalitha Gopalan (University of Texas, Austin), Tom Gunning (University of Chicago), Heather Hendershot (Queens College), Charlie Keil (University of Toronto), Amy Lawrence (Dartmouth College), Hamid Naficy (Northwestern University), James Naremore (Indiana University), Diane Negra (University of East Anglia), Chon Noriega (University of California, Los Angeles), Abé Mark Nornes (University of Michigan), Patrice Petro (University of Wisconsin-Milwaukee), Joanna Rapf (University of Oklahoma), A.L. Rees (Royal College of Art), Philip Rosen (Brown University), Vivian Sobchack (University of California, Los Angeles), Lynn Spigel (Northwestern University), Janet Staiger (University of Texas, Austin), Shelley Stamp (University of California, Santa Cruz), Jacqueline Stewart (Northwestern University), Haidee Wasson (Concordia University), James S. Williams (Royal Holloway, University of London) COVER PHOTO Alain Delon and Monica Vitti in L'eclisse (Michelangelo Antonioni, 1962). Courtesy The Criterion Collection. EDITOR'S THANKS Brian Carmody, Sean Marier; Richard Brown, Rob Cheek, Mark Sinker; Cathy Fisher, Krishnan Hariharan, Adam Harrison, Andrew Herwitz, Jesse Moss, Debbie Murray, Jef Nuyts, Chetan Shah, Ameer Sulthan, Nick Wrigley Film Quarterly (ISSN 0015-1386. USPS 0190-480) is published quarterly by University of California Press, Journals and Digital Publishing, 2000 Center Street, #303, Berkeley, CA 94704-1223. Periodicals postage paid at Berkeley, California, and at additional mailing offices. Postmaster: Send address changes to Film Quarterly, University of California Press, Journals and Digital Publishing, 2000 Center Street, #303, Berkeley, California 947041223. SUBMISSION GUIDELINES For detailed guidelines, go to: www.filmquarterly.org. SUBSCRIPTIONS $42 per year for individuals, $175 per year for institutions; $138 per year for institutional subscriptions with electronic access only. Subscribers outside North America, add $20 for postage. Single issues are $12 for individuals, $46 for institutions. Student/retired: subscription $31 per year for individuals, single issue $12. Canadian subscribers add 5% to the subscription price. GST 89626 2698 RT0001. Domestic claims for non-receipt of issue must be made within 90 days of the mail date, overseas claims within 180 days (mail dates can be checked here: http://www.ucpressjournals.com/ucpress.asp ?page=ReleaseSchedule). UC Press does not begin accepting claims for an issue until thirty (30) days after the mail date. Requests for subscriptions and advertising rate cards should be sent to Journals and Digital Publishing at the above address, or to journals@ucpress.edu. COPYING AND PERMISSIONS Authorization to copy article content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee through the Copyright Clearance Center (CCC), www.copyright. com. To reach the CCC's Customer Service Department, call 978-750-8400 or write to 222 Rosewood Drive, Danvers, MA 01923. Permission to distribute electronically, republish, resell, or re-purpose material from 2001 forward, as well as requests for article reprints or offprints, can be fulfilled online through the CCC's Rightslink service on Caliber at http:// caliber.ucpress.net. For complete abstracting and indexing information, please visit www. ucpressjournals.com. Printed in USA by Allen Press, Lawrence, KS. E Printed on recycled paper. Paper used in this publication is elemental chlorine free and meets minimum requirements of American National Standard for Information Sciences--Permanence of Paper for Printed Library Materials, ANSI Z39.48-1994. © 2008 by the Regents of the University of California. The views expressed in the articles, reviews, and columns are those of the authors only.

Journal

Film Quarterly – University of California Press

Published: Oct 1, 2008

There are no references for this article.