Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Abstract: In his play The Star Quilter , Willliam S. Yellow Robe Jr. explores some of the dichotomies and tensions that exist between Native and white cultures. He contrasts the perspectives of Assiniboine quiltmaker Mona Gray with those of an Anglo woman, LuAnne Jorgensen, through quilts and quiltmaking. Mona's interest in patchwork star quilts differs from that of LuAnne, who views the textiles as commodities, material objects to be bought and sold. In addition to discussing the significance of star quilts among Native peoples, this article proposes that Mona's quilts are more than commodities in society: they become conceptual devices that link her to family members, present her personal autobiography, and express her genuine love and concern for others.
Western American Literature – The Western Literature Association
Published: Aug 12, 2011
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.