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‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke

‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 160–171 https://doi.org/10.1080/14434318.2022.2149383 ‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke Vikki McInnes School of Art, Victorian College of the Arts, University of Melbourne, Victoria, Australia As Veronica  Tello notes in her introduction to this issue, following the Know My Name conference in November 2020, several participants began conversations around ‘continuing the work of critiquing the gendered discrimination at the centre of Australian art institutions’. In fact, these conversations were already ongoing at that point, and they will no doubt continue. During one of the confer- ence panel discussions, Janine Burke spoke to her frustration at the institutional amnesia and systemic resistance to feminist discourses she has encountered dur- ing a career in the visual arts that has spanned half a century. The discussion that follows was initiated to address this sense of despondency, not to provide a neat rationale but to continue picking at—or as Tello would have it, ‘unsettling’—the problems. It also provides an opportunity to bring into focus a series of personal and embodied Australian feminist art exhibition histories. During the course of our conversation, Burke proposes a ‘double http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Australian and New Zealand Journal of Art Taylor & Francis

‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke

McInnes, Vikki
Australian and New Zealand Journal of Art , Volume 22 (2): 12 – Jul 3, 2022
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‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke

Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 160–171 https://doi.org/10.1080/14434318.2022.2149383 ‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke Vikki McInnes School of Art, Victorian College of the Arts, University of Melbourne, Victoria, Australia As Veronica  Tello notes in her introduction to this issue, following the Know My Name conference in November 2020, several participants began conversations around...
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Taylor & Francis
Copyright
© 2022 The Art Association of Australia and New Zealand, Inc
ISSN
2203-1871
eISSN
1443-4318
DOI
10.1080/14434318.2022.2149383
Publisher site
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Abstract

Australian and New Zealand Journal of Art, 2022, vol. 22, no. 2, 160–171 https://doi.org/10.1080/14434318.2022.2149383 ‘This Is the Future’: Feminism’s Double Gaze - A Conversation with Janine Burke Vikki McInnes School of Art, Victorian College of the Arts, University of Melbourne, Victoria, Australia As Veronica  Tello notes in her introduction to this issue, following the Know My Name conference in November 2020, several participants began conversations around ‘continuing the work of critiquing the gendered discrimination at the centre of Australian art institutions’. In fact, these conversations were already ongoing at that point, and they will no doubt continue. During one of the confer- ence panel discussions, Janine Burke spoke to her frustration at the institutional amnesia and systemic resistance to feminist discourses she has encountered dur- ing a career in the visual arts that has spanned half a century. The discussion that follows was initiated to address this sense of despondency, not to provide a neat rationale but to continue picking at—or as Tello would have it, ‘unsettling’—the problems. It also provides an opportunity to bring into focus a series of personal and embodied Australian feminist art exhibition histories. During the course of our conversation, Burke proposes a ‘double

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Australian and New Zealand Journal of Art – Taylor & Francis

Published: Jul 3, 2022

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