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References (13)
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Harmonia Mundi France 90389. Moroccan Andalusian melodies performed by Spanish musicians without vocals, on Arab and European instruments -
Arabic and Spanish repertory of Jewish, Christian and Muslim music, including period instruments constructed by Carlos Paniagua -
Eno nome de Maria. Antequera, recorded in 2001. Alpha 501. Cantigas de Santa Maria performed in European style but with a mixture of Arab and European instruments -
Mélodies andalouses du Moyen-Orient. L'Ensemble Aromates, dir. by Michèle Claude. Instrumental versions of Andalusian songs from a variety of sources in a heavily Europeanized style -
Hispavox CDM 5 65331 2. Troubadour repertory by Atrium Musicae directed by Gregorio Paniagua, and Andalusian repertory by & Abd al-S _ ādiq Shiqāra and his ensemble from Tetuan -
Pneuma PN 230. Poems from the Alhambra set to melodies from Moroccan Andalusian tradition, performed by Moroccan and Spanish musicians on Arab and European instruments, very much in Moroccan style -
Sonifolk 21042. Commissioned by the Metropolitan Museum of Art, NYC in 1992 for an exposition of the Islamic Arts of Spain -
Spanish repertory linked to the Mudéjars and Moriscos of late medieval Spain, including ''Paseábase el rey moro'' and ''Tres morillas -
Stephen Byram, J. Hall, Rita Hauser, Herman Krawitz, Arthur Moorhead, Elizabeth Ostrow, Don Roberts, Patrick Smith, F. Stanton, Francis Goelet (1994)
Selected discographyPopular Music, 13
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Sony Classical SK 63007. Moroccan Andalusian music interpreted by Spanish and Moroccan musicians with an Early Music approach; small ensemble, mixture of medieval European and Arab instruments -
Begoñ a Olavide, Carlos Paniagua-1994 to present): www.musicamudejar.com -
Eduardo Paniagua): (now disbanded-see information on websites of individual artists) -
Heavily Europeanised Moroccan Andalusian repertory interpreted by Spanish musicians on a mixture of European and Arab instruments
- Publisher
- Taylor & Francis
- Copyright
- Copyright Taylor & Francis Group, LLC
- ISSN
- 1473-348X
- eISSN
- 0950-3110
- DOI
- 10.1080/09503110902875442
- Publisher site
- See Article on Publisher Site
Abstract
In recent decades more and more musical ensembles have begun performing “historicised” versions of medieval Arabo-Andalusian music. The impulse to produce such re-creations of medieval musical practices has come almost entirely from Western musicians and scholars influenced by the aesthetics of the European Early Music movement, rather than from Arab musicians. The historical resources available as the basis of such performances, however, are very different from those used in the re-creation of European Early Music. This article surveys the extant historical resources, offers a brief history of this new “medieval” style of performance of Arabo-Andalusian music, and provides descriptions and critiques of selected recordings.
Journal
Al-Masaq: Journal of the Medieval Mediterranean – Taylor & Francis
Published: Aug 1, 2009
Keywords: Andalusian Music; Early Music; Muslim Spain; al-Andalus