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Evoking a shifting sense of place in one museum following the 3/11 tsunami in Japan

Evoking a shifting sense of place in one museum following the 3/11 tsunami in Japan On March 11, 2011, Japan experienced the most powerful earthquake ever recorded in that country. A coastal port and fishing city in Miyagi Prefecture, Kesennuma was one of the hardest hit population centers, the waves having destroyed much of the city’s commercial core and nearly all of its low coastal neighborhoods. The wave’s destruction highlighted certain elements of the city’s sense of place and forever changed others. I explore how the Kesennuma Shark Museum reflects ways in which the 3/11 disaster has simultaneously maintained and altered Kesennuma as a place. I analyze the spatiality of the museum and how its narrative evokes a sense of place in the broader community. The case of the Shark Museum is one example of how scholars can use museums to examine sense of place and how it has been impacted by natural disasters. This work represents a unique contribution to cultural geography inquiry into the spatiality of museums, museum experiences, and how such spaces reflect an interaction between people and place. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Geographer Taylor & Francis

Evoking a shifting sense of place in one museum following the 3/11 tsunami in Japan

Asian Geographer , Volume 37 (2): 26 – Jul 2, 2020

Evoking a shifting sense of place in one museum following the 3/11 tsunami in Japan

Asian Geographer , Volume 37 (2): 26 – Jul 2, 2020

Abstract

On March 11, 2011, Japan experienced the most powerful earthquake ever recorded in that country. A coastal port and fishing city in Miyagi Prefecture, Kesennuma was one of the hardest hit population centers, the waves having destroyed much of the city’s commercial core and nearly all of its low coastal neighborhoods. The wave’s destruction highlighted certain elements of the city’s sense of place and forever changed others. I explore how the Kesennuma Shark Museum reflects ways in which the 3/11 disaster has simultaneously maintained and altered Kesennuma as a place. I analyze the spatiality of the museum and how its narrative evokes a sense of place in the broader community. The case of the Shark Museum is one example of how scholars can use museums to examine sense of place and how it has been impacted by natural disasters. This work represents a unique contribution to cultural geography inquiry into the spatiality of museums, museum experiences, and how such spaces reflect an interaction between people and place.

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Publisher
Taylor & Francis
Copyright
© 2019 Hong Kong Geographical Association
ISSN
2158-1762
eISSN
1022-5706
DOI
10.1080/10225706.2019.1703768
Publisher site
See Article on Publisher Site

Abstract

On March 11, 2011, Japan experienced the most powerful earthquake ever recorded in that country. A coastal port and fishing city in Miyagi Prefecture, Kesennuma was one of the hardest hit population centers, the waves having destroyed much of the city’s commercial core and nearly all of its low coastal neighborhoods. The wave’s destruction highlighted certain elements of the city’s sense of place and forever changed others. I explore how the Kesennuma Shark Museum reflects ways in which the 3/11 disaster has simultaneously maintained and altered Kesennuma as a place. I analyze the spatiality of the museum and how its narrative evokes a sense of place in the broader community. The case of the Shark Museum is one example of how scholars can use museums to examine sense of place and how it has been impacted by natural disasters. This work represents a unique contribution to cultural geography inquiry into the spatiality of museums, museum experiences, and how such spaces reflect an interaction between people and place.

Journal

Asian GeographerTaylor & Francis

Published: Jul 2, 2020

Keywords: Great East Japan earthquake; Kesennuma; museum geography; place identity; disaster

References