The Geometry of Gendered Conflict in Popular Film: 1986–2000

The Geometry of Gendered Conflict in Popular Film: 1986–2000 In this qualitative content analysis of 150 popular films, the meaning of gendered conflict in contemporary popular culture is addressed from a systems theoretical perspective. Gendered conflict occupies a central position in these films and is normatively structured in terms of networks of romantic/sexual conflict based upon the geometric foundation of the triangle. Triangles are found to invoke dualistic pairs of stereotypes among characters who are competing for the attention of a common focus of attraction. When men occupy the center of triangles, dualism involves the Madonna/Whore archetype. When women occupy the center, dualism alternates between Hero/Villain and Prince/Scoundrel archetypes. Norms, values, and expectations regarding gendered conflict are found to foster male privilege in each archetype. Sex Roles Springer Journals

The Geometry of Gendered Conflict in Popular Film: 1986–2000

Sex Roles , Volume 47 (6) – Oct 13, 2004

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Kluwer Academic Publishers-Plenum Publishers
Copyright © 2002 by Plenum Publishing Corporation
Psychology; Gender Studies; Sociology, general; Medicine/Public Health, general
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