Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/springer-journals/studies-in-musical-acoustics-and-psychoacoustics-acoustical-modeling-0YLeMrt12m
References (27)
-
Natalie Dell (2011)
Investigation into factors affecting the acoustics and playability of the horn, and the effect of auditory feedback on horn playing -
S. Stevenson (2009)
Experimental investigations of lip motion in brass instrument playing -
Antoine Lefebvre, G. Scavone (2012)
Characterization of woodwind instrument toneholes with the finite element method.The Journal of the Acoustical Society of America, 131 4
-
A. Tunstall, R. Morley-Pegge (1961)
The French HornMusic Educators Journal, 47
-
W. Kausel, Alexander Mayer, G. Nachtmann (2007)
Experimental demonstration of the effect of wall vibrations on the radiated sound of the horn and a search for possible explanations. -
Jürgen Meyer (2009)
Tonal Characteristics of Musical Instruments -
T. Moore, Erin Shirley, Isaac Codrey, Amy Daniels (2005)
The effects of bell vibrations on the sound of the modern trumpetActa Acustica United With Acustica, 91
-
J. Whitehouse (2003)
A study of the wall vibrations excited during the playing of lip-reed instruments -
R. Caussé, J. Kergomard, X. Lurton (1984)
Input impedance of brass musical instruments—Comparison between experiment and numerical modelsJournal of the Acoustical Society of America, 75
-
Raymond Parks, A. Baines (1994)
The Oxford companion to musical instrumentsThe Galpin Society Journal, 47
-
Natalie Dell, R. James, J. Davidson, J. Wolfe (2010)
The effect of hand and mute on the impedance spectra of the horn -
D. Keefe (1982)
Theory of the single woodwind tone holeJournal of the Acoustical Society of America, 72
-
Lisa Norman, J. Chick, D. Campbell, A. Myers, J. Gilbert (2010)
Player Control of 'Brassiness' at Intermediate Dynamic Levels in Brass InstrumentsActa Acustica United With Acustica, 96
-
徹 井戸川 (2000)
Acoustical Aspects of Woodwind Instruments (2nd ed.), C.J. Nederveen著, Northern Illinois Univ. Press, Dekalb, 1998年, 147頁, 56
-
A. Benade (1960)
On the Mathematical Theory of Woodwind Finger HolesJournal of the Acoustical Society of America, 32
-
S. Yoshikawa, Kazue Kajiwara (2015)
Cross fingerings and associated intonation anomaly in the shakuhachiAcoustical Science and Technology, 36
-
J. Backus, J. Coltman (1970)
The Acoustical Foundations of Music -
J. Gilbert, L. Menguy, M. Campbell (2008)
A simulation tool for brassiness studies.The Journal of the Acoustical Society of America, 123 4
-
A. Myers, R. Pyle, J. Gilbert, D. Campbell, John Chick, S. Logie (2012)
Effects of nonlinear sound propagation on the characteristic timbres of brass instruments.The Journal of the Acoustical Society of America, 131 1
-
A. Hirschberg, J. Gilbert, Régis Msallam, A. Wijnands (1996)
Shock waves in trombonesJournal of the Acoustical Society of America, 99
-
J. Ancell (1955)
Sound Pressure Spectra of a Muted CornetJournal of the Acoustical Society of America, 27
-
T. Ebihara, S. Yoshikawa (2013)
Nonlinear effects contributing to hand-stopping tones in a horn.The Journal of the Acoustical Society of America, 133 5
-
M. Thompson, W. Strong (2000)
Inclusion of wave steepening in a frequency-domain model of trombone sound productionJournal of the Acoustical Society of America, 110
-
W. Kausel, D. Zietlow, T. Moore (2010)
Influence of wall vibrations on the sound of brass wind instruments.The Journal of the Acoustical Society of America, 128 5
-
J. Backus (1976)
Input impedance curves for the brass instrumentsJournal of the Acoustical Society of America, 60
-
J. Lighthill (2002)
Waves In Fluids -
D. Mapes-Riordan (1993)
Horn Modeling with Conical and Cylindrical Transmission'"Line Elements*Journal of The Audio Engineering Society, 41
- Publisher
- Springer International Publishing
- Copyright
- © Springer International Publishing AG 2017
- ISBN
- 978-3-319-47291-1
- Pages
- 143 –186
- DOI
- 10.1007/978-3-319-47292-8_5
- Publisher site
- See Chapter on Publisher Site
Abstract
[Mutes for brass instruments are placed in the bell and change the instrument resonance characteristics. Since the pitch, loudness, and timbre are then affected, brass mutes are important for musical expression. Our main focus is on the acoustical modeling of the straight mute for the French horn and the cup mute for the trumpet. The validity of our numerical analysis is confirmed by the results on the hand stopping and the stopping mute for the horn. An application of our modeling method to other trumpet mutes is furthermore demonstrated.]
Published: Dec 27, 2016
Keywords: Input Impedance; Acoustical Modeling; Sound Radiation; Annular Spacing; Inside Tube