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Neorealism and the "New" ItalyThe Discourse of Compassion During Fascism

Neorealism and the "New" Italy: The Discourse of Compassion During Fascism [This chapter provides a brief overview of the meanings of compassion during the interwar period in order to create a critical frame for examining how the attributes of neorealist representations of compassion may be differentiated. It examines Carlo Bernari’s Tre operai (Three Factory Workers, 1934), which exemplifies the “new realism” of the interwar years, and Emil Ludwig’s Colloqui con Mussolini (Interviews with Mussolini), where the Duce argues that human suffering is positive, since it prompts revolution and virtue.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Neorealism and the "New" ItalyThe Discourse of Compassion During Fascism

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Publisher
Palgrave Macmillan US
Copyright
© The Editor(s) (if applicable) and The Author(s) 2016
ISBN
978-1-137-54132-1
Pages
87 –110
DOI
10.1057/978-1-137-52416-4_10
Publisher site
See Chapter on Publisher Site

Abstract

[This chapter provides a brief overview of the meanings of compassion during the interwar period in order to create a critical frame for examining how the attributes of neorealist representations of compassion may be differentiated. It examines Carlo Bernari’s Tre operai (Three Factory Workers, 1934), which exemplifies the “new realism” of the interwar years, and Emil Ludwig’s Colloqui con Mussolini (Interviews with Mussolini), where the Duce argues that human suffering is positive, since it prompts revolution and virtue.]

Published: Aug 21, 2016

Keywords: Factory Worker; Farm Manager; Psychological Pain; Psychological Suffering; Brown Substance

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