Access the full text.
Sign up today, get DeepDyve free for 14 days.
L. Austern (1985)
Sweet Meats with Sour Sauce: The Genesis of Musical Irony in English Drama after 1600The Journal of Musicology, 4
R. Darnton (2014)
Censors at Work: How States Shaped Literature
Jairo Moreno (2003)
Subjectivity, Interpretation, and Irony in Gottfried Weber's Analysis of Mozart's “Dissonance” QuartetMusic Theory Spectrum, 25
J. Barbalet (1985)
Power and ResistanceBritish Journal of Sociology, 36
S. White (2001)
Communism and its collapse
Alexei Yurchak (2013)
Everything Was Forever, Until It Was No More: The Last Soviet Generation
D. Muecke (1970)
Irony and the Ironic
Claire Colebrook (2020)
IronyOxford Research Encyclopedia of Literature
Christy Burns, M. Rose (1993)
Parody: Ancient, Modern, and Post-Modern.Mln, 109
Lars Elleström (2002)
Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically
Grzegorz Ekiert, J. Kubik (1999)
Rebellious civil society
Marike Finlay (1988)
The Romantic Irony of Semiotics: Friedrich Schlegel and the Crisis of Representation
K. Egan (1997)
The educated mind : how cognitive tools shape our understandingCanadian Journal of Education, 23
(1999)
Rebellious Civil Society: Popular Protest and Democratic Consolidation in Poland, 1989-1993
Jocelyn Hollander, Rachel Einwohner (2004)
Conceptualizing ResistanceSociological Forum, 19
Irony’s Edge:
Poets in the Public Sphere
Gale Stokes (1992)
Eastern Europe in the Postwar WorldHistory: Reviews of New Books, 21
M. Marciniak (2015)
Transnational Punk Communities in Poland: From Nihilism to Nothing Outside Punk
L. Furst (1984)
Fictions of Romantic Irony
M. Bonds (1991)
Haydn, Laurence Sterne, and the Origins of Musical IronyJournal of the American Musicological Society, 44
Kevin Dettmar (2006)
"Authentically Ironic": Neoconservatism and the BacklashJournal of The Midwest Modern Language Association, 39
A. Thompson (1950)
The dry mock : a study of irony in dramaModern Language Review, 45
Katherine Turner (2016)
This is the Sound of Irony: Music, Politics and Popular Culture
James Scott (1985)
Weapons of the Weak
[The chapter argues that the songs, and especially performances, of the Polish punk bands of the 1980s can be read as reactions targeted against the restrictions imposed by communist authorities. But while the disseminators of official Polish propaganda clearly denounced the punk movement by borrowing from Cold War discourse, the paper argues that the irony of the situation can be found in the fact that the same type of rhetoric was internalized by punk bands and their fans as part of their rebellion.]
Published: Nov 9, 2018
Keywords: Punk Band; Punk Movement; Punk Musicians; Punk Concerts; Dezert
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.