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[This chapter examines how the Gandhi iconography is first constructed and then deployed among the largely urban readers of English-language newspapers in India during August 1947 by two mainstream newspapers: Hindustan Times and the Statesman. The daily reportage on Gandhi attempted to keep his towering persona and revolutionary ideology alive for an often unheeding public that seemed to ignore his lifelong message of peace derived from a richly syncretic culture. The rapidly unfolding events on the eve of independence and after reflected a time out of joint in which even the Mahatma could be sometimes traduced and disrespected.]
Published: Dec 11, 2020
Keywords: Print culture; Representation; Public sphere
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