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Intellectuals and Fascism in Interwar RomaniaThe Dissolution of the Criterion Association, 1934–1935: The Credinţa Scandal, Male Friendship, Sexuality and Freedom of the Press

Intellectuals and Fascism in Interwar Romania: The Dissolution of the Criterion Association,... [Bejan offers a much-needed account of the disintegration and termination of the Criterion Association and publication. The popular explanation for Criterion’s end is the fermentation of extremist political allegiances. However, there is an additional explanation, which is difficult to find in the existing literature on Criterion. This is the scandal involving a Criterion event featuring the dancer Gabriel Negry, and the newspaper Credintṃa’s accusation that key Criterionists promoted homosexuality. The chapter also investigates the nature of male friendship in the period and how that could be interpreted as ‘homosexual.’ Criterion’s animator and Credintm․a’s main target, Comarnescu, had an ambiguous sexual life, and I explore the nature of his early pre-Criterion close friendship with Noica.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Intellectuals and Fascism in Interwar RomaniaThe Dissolution of the Criterion Association, 1934–1935: The Credinţa Scandal, Male Friendship, Sexuality and Freedom of the Press

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Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019
ISBN
978-3-030-20164-7
Pages
177 –209
DOI
10.1007/978-3-030-20165-4_6
Publisher site
See Chapter on Publisher Site

Abstract

[Bejan offers a much-needed account of the disintegration and termination of the Criterion Association and publication. The popular explanation for Criterion’s end is the fermentation of extremist political allegiances. However, there is an additional explanation, which is difficult to find in the existing literature on Criterion. This is the scandal involving a Criterion event featuring the dancer Gabriel Negry, and the newspaper Credintṃa’s accusation that key Criterionists promoted homosexuality. The chapter also investigates the nature of male friendship in the period and how that could be interpreted as ‘homosexual.’ Criterion’s animator and Credintm․a’s main target, Comarnescu, had an ambiguous sexual life, and I explore the nature of his early pre-Criterion close friendship with Noica.]

Published: Aug 24, 2019

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