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[This chapter suggests the importance of considering materials within our worlds and worlding within critical authoethnography, considering especially various posthuman(ist)and new materialist approaches. With a focus on writing sensation, Dickinson weaves human and nonhuman frameworks throughout her own experience of object awareness, circulation, and material/sensorial phenomena. By writing about objects within her own life, she suggests the possibility that critical autoethnography can reconsider experiences with materials through story in order to acknowledge not only object signification but the positionality and circulation of objects with the social world.]
Published: Nov 30, 2017
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