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Action in culture: Act I of the presidential primary campaign in the U.S., April to December, 2015

Action in culture: Act I of the presidential primary campaign in the U.S., April to December, 2015 This article offers a thick description of the United States during the first nine months of the 2016 presidential election competition. It argues that this competition is organized in a theatrical way, and that this period, from April to December 2015, represents act one of the drama. It argues that performances in act one contribute to setting the cultural and interpretive conditions in which citizens will enter and act back on the drama in its subsequent acts, in state primaries and caucuses, and in the general election in November 2016. Building on the works of Roland Barthes and Clifford Geertz, the article gives a structural, or semiotic, interpretation of the dominant symbols and discourses operating in the dramatic field, and using Alexander’s cultural pragmatics, it identifies and analyzes key performances given by candidates Clinton and Trump, which crystalized particular meaning formations and lent the proceedings a sense of dynamism and flow. The article demonstrates how analyzing performances in a manner consistent with cultural pragmatic theory contributes to research on electoral politics, political authority, and legitimation processes. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Journal of Cultural Sociology Springer Journals

Action in culture: Act I of the presidential primary campaign in the U.S., April to December, 2015

American Journal of Cultural Sociology , Volume 4 (3) – Sep 27, 2016

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Publisher
Springer Journals
Copyright
Copyright © 2016 by Macmillan Publishers Ltd
Subject
Social Sciences; Social Sciences, general; Sociology, general; Sociology of Culture; Media Sociology
ISSN
2049-7113
eISSN
2049-7121
DOI
10.1057/s41290-016-0009-3
Publisher site
See Article on Publisher Site

Abstract

This article offers a thick description of the United States during the first nine months of the 2016 presidential election competition. It argues that this competition is organized in a theatrical way, and that this period, from April to December 2015, represents act one of the drama. It argues that performances in act one contribute to setting the cultural and interpretive conditions in which citizens will enter and act back on the drama in its subsequent acts, in state primaries and caucuses, and in the general election in November 2016. Building on the works of Roland Barthes and Clifford Geertz, the article gives a structural, or semiotic, interpretation of the dominant symbols and discourses operating in the dramatic field, and using Alexander’s cultural pragmatics, it identifies and analyzes key performances given by candidates Clinton and Trump, which crystalized particular meaning formations and lent the proceedings a sense of dynamism and flow. The article demonstrates how analyzing performances in a manner consistent with cultural pragmatic theory contributes to research on electoral politics, political authority, and legitimation processes.

Journal

American Journal of Cultural SociologySpringer Journals

Published: Sep 27, 2016

References