Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/springer-journals/a-social-biography-of-contemporary-innovative-poetry-communities-cn3iRAhTZy
References (10)
-
T. Morton (2013)
Hyperobjects: Philosophy and Ecology after the End of the World -
G. Deleuze, F. Guattari, B. Massumi (1980)
A Thousand Plateaus: Capitalism and Schizophrenia -
Karla Armbruster (2009)
ECOCRITICISM AND THE POSTMODERN NOVEL: THE CASE OF WATERLANDGreen Letters, 10
-
A. Waldman (1994)
Kill or cure -
R. Simon (2011)
Afterword: The Turn to Pedagogy: A Needed Conversation on the Practice of Curating Difficult Knowledge -
J. Dewey (1934)
Art as Experience -
Anna Veprinska (2018)
Empathetic Witnessing in Charles Reznikoff's Holocaust and Cynthia Hogue and Rebecca Ross's When the Water Came: Evacuees of Hurricane KatrinaContemporary Literature, 58
-
Alphqnso Lingis (1997)
Animal body, inhuman faceSocial Semiotics, 7
-
I. Hoving (2012)
Book Review: Harriet Tarlo, ed., The Ground Aslant: An Anthology of Radical Landscape Poetry (Exeter: Shearsman Books, 2011)European journal of literature, culture and the environment, 3
-
R. Nixon (2011)
Slow Violence and the Environmentalism of the Poor
- Publisher
- Springer International Publishing
- Copyright
- © The Editor(s) (if applicable) and The Author(s) 2017
- ISBN
- 978-3-319-62294-1
- Pages
- 163 –199
- DOI
- 10.1007/978-3-319-62295-8_7
- Publisher site
- See Chapter on Publisher Site
Abstract
[Burnett foregrounds the competing demands of agency and formal experiment for poets with an ecological focus. Exhibitions curated by the author at the Centre for Contemporary Art and the Natural World show how a gallery context might widen the scope of the audience for innovative poetry through strategic sharing of skills and networks. Burnett suggests that interdisciplinary poetry, art and ecology collaborations could answer one criticism of ecopoetics: that of the ill-equipped nature of a small readership for a political cause of environmentalism that demands wide engagement. The role of Visitor Studies is considered, while the issues of unified and divided audiences are explored. Work by Harriet Tarlo, and Cynthia Hogue and Rebecca Ross is explored, along with theoretical insight from Retallack and Waldman.]
Published: Sep 15, 2017