Divine Inspirations: Music and Islam in Indonesia ed. by David D. Harnish and Anne K. Rasmussen (review)

Divine Inspirations: Music and Islam in Indonesia ed. by David D. Harnish and Anne K. Rasmussen... David D. Harnish and Anne K. Rasmussen, eds. Divine Inspirations: Music and Islam in Indonesia. New York: Oxford University Press, 2011. 408 pp. This groundbreaking volume is framed by editors David Harnish and Anne Rasmussen as a corrective to a long-held "reductive summary" (p. 34), perhaps most famously articulated by Clifford Geertz and Benedict Anderson, that Indonesia is primarily an Indic region. All of the chapters are organized around specific local or regional musical genres, with the majority situated in Javanese regions, but most incorporate considerable discussion of other aspects of Islam in Indonesia, including clothing, mass mediation, Islamic organizations, government policy, religious practice, and movement forms (for example, dance and martial arts). Four themes serve to connect the disparate musical forms and cultural practices surveyed in this book. First, two institutions had a seminal role in shaping the nature of Islamic practice and governmental relations with organized Islam during the twentieth century. Muhammadiyah (founded in 1912) was originally concerned with a "pure" form of religiosity based on new readings of historical texts, while Nahdlatul Ulama (NU, founded in 1926), once a rural organization, was historically more accepting of local traditions. While most of the authors implicate these http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Indonesia Southeast Asia Program [Cornell University]

Divine Inspirations: Music and Islam in Indonesia ed. by David D. Harnish and Anne K. Rasmussen (review)

Indonesia, Volume 95 (1) – Jun 6, 2013

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Publisher
Southeast Asia Program [Cornell University]
Copyright
Copyright @ Cornell Southeast Asia Program
ISSN
2164-8654
Publisher site
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Abstract

David D. Harnish and Anne K. Rasmussen, eds. Divine Inspirations: Music and Islam in Indonesia. New York: Oxford University Press, 2011. 408 pp. This groundbreaking volume is framed by editors David Harnish and Anne Rasmussen as a corrective to a long-held "reductive summary" (p. 34), perhaps most famously articulated by Clifford Geertz and Benedict Anderson, that Indonesia is primarily an Indic region. All of the chapters are organized around specific local or regional musical genres, with the majority situated in Javanese regions, but most incorporate considerable discussion of other aspects of Islam in Indonesia, including clothing, mass mediation, Islamic organizations, government policy, religious practice, and movement forms (for example, dance and martial arts). Four themes serve to connect the disparate musical forms and cultural practices surveyed in this book. First, two institutions had a seminal role in shaping the nature of Islamic practice and governmental relations with organized Islam during the twentieth century. Muhammadiyah (founded in 1912) was originally concerned with a "pure" form of religiosity based on new readings of historical texts, while Nahdlatul Ulama (NU, founded in 1926), once a rural organization, was historically more accepting of local traditions. While most of the authors implicate these

Journal

IndonesiaSoutheast Asia Program [Cornell University]

Published: Jun 6, 2013

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