Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts (review)

Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts... Review Section anonymous external review and when commissioning endorsements for the jacket. Fortunately, Brandt's study does not need special treatment; it easily stands on its own merits as one of the most impressive recent publications in the field of Japanese history. Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts. By Maren Godzik. Iudicium Verlag, München, 2006. 255 pages. 25.00, paper. Reviewed by Franziska Seraphim Boston College Japanese avant-garde art is in the air. If, until recently, avant-garde artists of the 1950s and 1960s had garnered little serious academic interest, they are now the subject of three new studies, each from a different perspective. The Getty Research Institute in Los Angeles produced an exhibition and accompanying catalogue of its own collection of postwar Japanese avant-garde art entitled Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950­1970 (Getty Publications, 2007). The accomplished historian Thomas Havens turned his pen to the cultural politics of "the avant-garde rejection of modernism" in his latest book, Radicals and Realists in the Japanese Nonverbal Arts (University of Hawai`i Press, 2006). The same year, the Japanologist Maren Godzik presented her sociological study of female avant-garde artists in Japan http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Journal of Japanese Studies Society for Japanese Studies

Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts (review)

The Journal of Japanese Studies, Volume 35 (1) – Jan 15, 2009

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Publisher
Society for Japanese Studies
Copyright
Copyright © 2008 Society for Japanese Studies
ISSN
1549-4721
Publisher site
See Article on Publisher Site

Abstract

Review Section anonymous external review and when commissioning endorsements for the jacket. Fortunately, Brandt's study does not need special treatment; it easily stands on its own merits as one of the most impressive recent publications in the field of Japanese history. Avantgarde Männersache? Künstlerinnen im Japan der 50er und 60er Jahre des 20. Jahrhunderts. By Maren Godzik. Iudicium Verlag, München, 2006. 255 pages. 25.00, paper. Reviewed by Franziska Seraphim Boston College Japanese avant-garde art is in the air. If, until recently, avant-garde artists of the 1950s and 1960s had garnered little serious academic interest, they are now the subject of three new studies, each from a different perspective. The Getty Research Institute in Los Angeles produced an exhibition and accompanying catalogue of its own collection of postwar Japanese avant-garde art entitled Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950­1970 (Getty Publications, 2007). The accomplished historian Thomas Havens turned his pen to the cultural politics of "the avant-garde rejection of modernism" in his latest book, Radicals and Realists in the Japanese Nonverbal Arts (University of Hawai`i Press, 2006). The same year, the Japanologist Maren Godzik presented her sociological study of female avant-garde artists in Japan

Journal

The Journal of Japanese StudiesSociety for Japanese Studies

Published: Jan 15, 2009

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