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of expatriates country spent significant time on the Continent. RICHARD SHEPPARD Vol . i : From the 1890s to Eliot and Pound , History of Modern Poetry . Yeats. David Perkins. and London : The By Cambridge (Mass ...
, in his 1928 introduction to Ezra Pound's Selected Poems , Eliot identifies his own poetry as ‘directly drawn from the study of Laforgue together with the later Elizabethan drama’. 4 He emphasises ...
, noted as early as Hale’s infamous review (1919: 54), is Pound’s insertion of glosses in the following passage from Section i of the Homage: quod non Taenariis domus est mihi fulta columnis, nec camera ...
The Modern Movement: 1910–1940, vol . x of The Oxford English Literary History (Oxford 2004) takes a far longer view of the period, charting its momentum well into the 1930s. 17 Malcolm Bradbury, ‘A Review ...
on, with the appearance of apology, be excused from discussing Mr Alfred Austin’s claims at any great length. His principles consist in repudiating the whole history of English poetry since Byron, and his practice ...
when they set themselves in relation to both a chaotic moment of modernity and a history of poetry to which they are always compared. Though a very different book than Pryor’s, Andrew Gaedtke’s Modernism ...
. Modern Irish Poetry . Section 1 is by Shawna Ross; section 2(a) is by Francesca Bratton; section 2(b) is by Caroline Krzakowski; section 2(c) is by Sophie Corser; section 2(d) is by Andrew Keese; section 2 ...
, The Modern School, The Little Review and Poetry , were at this time centres of Imagism. For its February 1914 number, Glebe published Des Imagistes, edited by Ezra Pound and published by Alfred and Charles Boni ...
would do well to displace modernism from its position of critical prominence, if only to ensure that the literary history of the early twentieth century is appropriately inclusive. Whereas Modern Print ...
prose and poetry . In the ‘space’ section, internationalization is more prominent as well as the visual and plastic arts, but with an outstanding reach back to Pound and Eliot from the modernismo movements ...
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