The Poetry of Delight: Lessons from Chana Bloch

The Poetry of Delight: Lessons from Chana Bloch The Poetry of Delight: Lessons from Chana Bloch Judy Halebsky The first thing I learned about poetry from Chana was delight—delight in the world around us, pain and all. I studied with Chana at Mills College in Oakland, California, from 1996 to 1998, in the Master of Fine Arts in English and Creative Writing Program. For a period, our work- shops met at her house in the East Bay hills; I remember her living room with ornate red decorations and dark o fl or- to- ceiling bookshelves. We would sit in a circle as we read and discussed poems. However, the real focus of our class was on Chana’s stories, anecdotes, and words of guid- ance. Once, when we were puzzling through the contradictory ending of poem, she explained, “It’s not a real emotion unless you feel two con- flicting things at the same time.” This is one of Chana’s teachings that has stayed with me most powerfully, because it applies equally to life and poetry. It speaks to how we bumble along messy paths. For the poem, it reflects the complexity that we are trying to articulate. From Chana, I learned that poetry can be both a guide http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Shofar: An Interdisciplinary Journal of Jewish Studies Purdue University Press

The Poetry of Delight: Lessons from Chana Bloch

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Publisher
Purdue University Press
Copyright
Copyright © Purdue University.
ISSN
1534-5165

Abstract

The Poetry of Delight: Lessons from Chana Bloch Judy Halebsky The first thing I learned about poetry from Chana was delight—delight in the world around us, pain and all. I studied with Chana at Mills College in Oakland, California, from 1996 to 1998, in the Master of Fine Arts in English and Creative Writing Program. For a period, our work- shops met at her house in the East Bay hills; I remember her living room with ornate red decorations and dark o fl or- to- ceiling bookshelves. We would sit in a circle as we read and discussed poems. However, the real focus of our class was on Chana’s stories, anecdotes, and words of guid- ance. Once, when we were puzzling through the contradictory ending of poem, she explained, “It’s not a real emotion unless you feel two con- flicting things at the same time.” This is one of Chana’s teachings that has stayed with me most powerfully, because it applies equally to life and poetry. It speaks to how we bumble along messy paths. For the poem, it reflects the complexity that we are trying to articulate. From Chana, I learned that poetry can be both a guide

Journal

Shofar: An Interdisciplinary Journal of Jewish StudiesPurdue University Press

Published: Aug 7, 2018

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