Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
<p>abstract:</p><p>Throughout the seven volumes of <i>Ã La Recherche du Temps Perdu</i>, Proustâs narrator, Marcel, postpones the moment of writing. It is only at the very end of the last volume, with the discovery of Time (capital T), that the narrator finds himself ready to begin. What is âTimeâ and how is it a justification for literature in the <i>Recherche?</i> This question, which seems to be at the core of Proustâs masterpiece, has been consistently neglected by theorists. To address it, I will propose that, in the context of Proustâs novel, Time can be identified with a higher reality, which exceeds perception and can be captured through literature. It is because objects perceived only in the present have a temporal dimension that exceeds the present, that literature becomes a necessity for Marcel. Such an idea of Time can be associated with the pre-Einsteinian notion of a fourth dimension that became popular in Europe during the end of the nineteenth century. It also points to a broader connection between temporality and literature that extends beyond Proustâs work and deserves further investigation.</p>
Interdisciplinary Literary Studies – Penn State University Press
Published: Sep 27, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.