Il nuovo infinito di Nietzsche. La futura obiettività tra arte e scienza by Marco Vozza (review)

Il nuovo infinito di Nietzsche. La futura obiettività tra arte e scienza by Marco Vozza (review) Book Reviews 309 Marco Vozza, Il nuovo infinito di Nietzsche. La futura obiettività tra arte e scienza. Rome: Castelvecchi, 2014. 183 pp. ISBN: 978-8868261. Paper, €17.50. One methodological principle that shows the contemporary value of Nietzsche’s thought is the task of “seeing things, as they are!,” for which the only way is “to be able to see them from a hundred eyes, from many persons!” (KSA 9:11[65]). Along with many others, this passage indicates the attitude of a philosopher intent on fruitfully examining multiplicity and difference. In his volume, translatable as Nietzsche’s New Infinite: Future Objectivity between Art and Science, Marco Vozza highlights Nietzsche’s propensity to study multiple, often apparently contradictory phenomena through an analysis that is not comparative but reciprocally penetrating. Such an approach is what the Italian author calls “binocular optics,” although we might speak more of multiocular optics. From his very brief introduction—whose title, “Why Nietzsche in Times of Realism?,” echoes Hölderlin’s verse “wozu Dichter in dürftiger Zeit”—the author means to situate his work in a dual context. The widest context is explicitly ontological and gnoseological realism, which not only char- acterizes huge parts of contemporary philosophy but is also generally assumed, often uncritically, as an http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Journal of Nietzsche Studies Penn State University Press

Il nuovo infinito di Nietzsche. La futura obiettività tra arte e scienza by Marco Vozza (review)

The Journal of Nietzsche Studies, Volume 47 (2) – Jul 6, 2016

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Publisher
Penn State University Press
Copyright
Copyright © The Pennsylvania State University.
ISSN
1538-4594

Abstract

Book Reviews 309 Marco Vozza, Il nuovo infinito di Nietzsche. La futura obiettività tra arte e scienza. Rome: Castelvecchi, 2014. 183 pp. ISBN: 978-8868261. Paper, €17.50. One methodological principle that shows the contemporary value of Nietzsche’s thought is the task of “seeing things, as they are!,” for which the only way is “to be able to see them from a hundred eyes, from many persons!” (KSA 9:11[65]). Along with many others, this passage indicates the attitude of a philosopher intent on fruitfully examining multiplicity and difference. In his volume, translatable as Nietzsche’s New Infinite: Future Objectivity between Art and Science, Marco Vozza highlights Nietzsche’s propensity to study multiple, often apparently contradictory phenomena through an analysis that is not comparative but reciprocally penetrating. Such an approach is what the Italian author calls “binocular optics,” although we might speak more of multiocular optics. From his very brief introduction—whose title, “Why Nietzsche in Times of Realism?,” echoes Hölderlin’s verse “wozu Dichter in dürftiger Zeit”—the author means to situate his work in a dual context. The widest context is explicitly ontological and gnoseological realism, which not only char- acterizes huge parts of contemporary philosophy but is also generally assumed, often uncritically, as an

Journal

The Journal of Nietzsche StudiesPenn State University Press

Published: Jul 6, 2016

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