BO OK R E VIEWS 623 erik mortenson is a literary scholar, writer, and translator. He is the author of three books, all from Southern Illinois University Press: Capturing the Beat Moment: Cultural Politics and the Poetics of Presence, which was selected as a Choice outstanding academic title in 2011; Ambiguous Borderlands: Shadow Imagery in Cold War American Culture (2016); and most recently, Translating the Counterculture: The Reception of the Beats in Turkey (2018). In his spare time he enjoys playing racquet sports, gardening, and cooking for his family. East-West Exchange and Late Modernism: Williams, Moore, Pound. By Zhaoming Qian. Charlottesville and London: University of Virginia Press, 2017. xvi + 187 pp. $29.50. Reviewed by Martha Sledge, Marymount Manhattan College DOI: 10.5325/complitstudies.56.3.0623 Zhaoming Qian’s relatively slim volume East-West Exchange and Late Modernism: Williams, Moore, Pound, is in many ways a continuation of Qian’s earlier works—The Modernist Response to Chinese Art (2003) and Orientalism and Modernism (1995). By taking (as the title announces) the exploration of the East–West exchange into “late modernism,” which Qian defines as “the post-1945 renewals of early twentieth-century modernism” (1), Qian argues that interaction with “the east” enriched and revitalized the late careers of William Carlos
Comparative Literature Studies – Penn State University Press
Published: Oct 9, 2019
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