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Creativity and Place: Meena Alexander’s Poetics of Migration

Creativity and Place: Meena Alexander’s Poetics of Migration abstract: The relationship between migration and creativity and the ways in which physical dislocation inflects writers’ creative output are well-explored issues in diaspora studies. In shifting its focus from diasporic subject formation within literary texts to the exploration of the material histories and lives of diasporic subjects, diaspora studies has de-emphasized texts’ formal aesthetics. My article addresses precisely the relation between geography and writing in Meena Alexander’s poetry and essay collections The Shock of Arrival (1996) and Poetics of Dislocation (2009)—texts that explore the author’s diasporic travels and her shocking realization that she is perceived as a racialized minority in the United States. As I argue, Alexander’s arrival in America paradoxically entails her return to Indian history and her grappling with the broader post-colonial history that has shaped her identity. Her two texts, I contend, trouble traditional narratives of arrival and assimilation, reconfiguring arrival as a point of departure for new explorations of diasporic identities and shared histories. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Interdisciplinary Literary Studies Penn State University Press

Creativity and Place: Meena Alexander’s Poetics of Migration

Interdisciplinary Literary Studies , Volume 18 (1) – Mar 2, 2016

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Publisher
Penn State University Press
Copyright
Copyright © The Pennsylvania State University.
ISSN
2161-427X
Publisher site
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Abstract

abstract: The relationship between migration and creativity and the ways in which physical dislocation inflects writers’ creative output are well-explored issues in diaspora studies. In shifting its focus from diasporic subject formation within literary texts to the exploration of the material histories and lives of diasporic subjects, diaspora studies has de-emphasized texts’ formal aesthetics. My article addresses precisely the relation between geography and writing in Meena Alexander’s poetry and essay collections The Shock of Arrival (1996) and Poetics of Dislocation (2009)—texts that explore the author’s diasporic travels and her shocking realization that she is perceived as a racialized minority in the United States. As I argue, Alexander’s arrival in America paradoxically entails her return to Indian history and her grappling with the broader post-colonial history that has shaped her identity. Her two texts, I contend, trouble traditional narratives of arrival and assimilation, reconfiguring arrival as a point of departure for new explorations of diasporic identities and shared histories.

Journal

Interdisciplinary Literary StudiesPenn State University Press

Published: Mar 2, 2016

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