Close Up, After Close Up: Life and Letters To-Day as a Modernist Film Journal

Close Up, After Close Up: Life and Letters To-Day as a Modernist Film Journal <p>abstract:</p><p><i>This article investigates the engagement of the modernist avant-garde with film in the 1930s. It offers a radical reassessment through study of the journal</i> Life and Letters To-Day. <i>It argues that from 1935 this journal sought a wider audience and incorporated film to a wider culture. The journal continued the project of the journal</i> Close Up, <i>with the same patronage and many of the same contributors. This article shows that ideas about the earlier positions adopted in</i> Close Up <i>may be misconceived and illustrate how ideas about key 1930s innovations—sound, color, editing and television—evolved between the journals</i>.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Journal of Modern Periodical Studies Penn State University Press

Close Up, After Close Up: Life and Letters To-Day as a Modernist Film Journal

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Publisher
Penn State University Press
Copyright
Copyright © The Pennsylvania State University
ISSN
2152-9272

Abstract

<p>abstract:</p><p><i>This article investigates the engagement of the modernist avant-garde with film in the 1930s. It offers a radical reassessment through study of the journal</i> Life and Letters To-Day. <i>It argues that from 1935 this journal sought a wider audience and incorporated film to a wider culture. The journal continued the project of the journal</i> Close Up, <i>with the same patronage and many of the same contributors. This article shows that ideas about the earlier positions adopted in</i> Close Up <i>may be misconceived and illustrate how ideas about key 1930s innovations—sound, color, editing and television—evolved between the journals</i>.</p>

Journal

The Journal of Modern Periodical StudiesPenn State University Press

Published: Jan 29, 2020

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