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doi:10.1093/brain/awm076 Brain (2007), 130,1981^1983 OCCASIONAL PAPER John Fuller Magdalen College, Oxford Correspondence to: John Fuller, Magdalen College, Oxford E-mail: john.fuller@magd.ox.ac.uk Advance Access publication April 23, 2007 The title-poem in Sherrington’s The Assaying of Brabantius natural idiom in the urge to archaize. The tetrameter (1925) is a substantial piece taking up about three-sevenths couplets are driven with a sense of narrative propulsion, of the volume. A third of the remaining poems ascertain- but inversions and suspensions and omissions, combined ably belong to the period of the First World War, but this with occasional uncertainties of metre, can sometimes draw visionary allegory with a quasi-mediaeval setting offers itself the reader up short. However, within Brabantius’s own as a relatively early work. Its theme of the sinner redeemed struggle for psychological equilibrium, there is a matching by the innocent love for a boy (yet compelled to give him struggle in the verse to express the process, and frequently up) belongs more obviously to the Victorian or Edwardian the simplest formulae turn out to be the most effective: poetic landscape. And lest the new day risen anon, Brabantius is a hedonist, who has ignored all appeals cramming with broad lit detail, stress from
Brain – Oxford University Press
Published: Aug 23, 2007
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