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The cover of the December issue of the AHR features one of more than sixty visual narratives prepared by W. E. B. Du Bois and his collaborators for the 1900 Paris Exposition. These individual panels transformed data sets collected by Du Bois’s sociological laboratory at Atlanta University into arresting visual images that were at the center of the Exposition des Nègres d’Amerique in Paris. They were designed by Du Bois and his team to illustrate the progress made by Black Americans since emancipation. The infographic on the AHR cover shows the increasing “assessed value of household and kitchen furniture owned by Georgia Negros.” Others charted land and property ownership, mortality, literacy, crime, education, income, and expenditures. They took a variety of innovative visual forms. Some were bar and line graphs in bright primary colors; others were illustrated maps and diagrams; and some, like the visualization on the AHR cover, included flowing spirals in gouache and watercolor. All the panels were strikingly presented, and often quite beautiful. Today we would call them data visualizations, and in fact they anticipate the growing use of visual modes through which many historians seek to convey their arguments about the past. As early forms
The American Historical Review – Oxford University Press
Published: Jan 24, 2023
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