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G arber , M arjorie . A Manifesto for Literary Studies. Seattle, Washington: University of Washington Press, 2004. 80 pp. £11.50/$14.95. ISBN 0–295–98344–2

REVIEWS Duffin demonstrates how fruitful such connections can be once identified (e.g. the messenger Rogero in The Winter’s Tale, named after an ironically appropriate ballad). A useful foreword by Stephen Orgel draws our attention to just how much music would have been heard before, during and after any Shakespearean play. And the volume includes a CD of half of the material. The contents are arranged in alphabetical order by incipit/title, but indexes allow one to find, for example, every piece of music needed to perform, or referred to in, King Lear. A very valuable resource for the theatre as well as for scholars. [doi: 10.1093/fmls/cqi310] GARBER , MARJORIE . A Manifesto for Literary Studies. Seattle, Washington: University of Washington Press, 2004. 80 pp. £11.50/$14.95. ISBN 0–295–98344–2. In the introductory essay, ‘‘Asking literary questions’’, Marjorie Garber surveys the critical theory machine of the 1980s onwards in the US and UK to set out her manifesto, the call for literary criticism to be at the top of the humanities cultural studies agenda. Her reasons are twofold and are explored in the following two essays. First, in ‘‘Who owns ‘Human Nature’?’’, Garber is arguing against science’s hegemony over human endeavour by http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Forum For Modern Language Studies Oxford University Press

G arber , M arjorie . A Manifesto for Literary Studies. Seattle, Washington: University of Washington Press, 2004. 80 pp. £11.50/$14.95. ISBN 0–295–98344–2

Abstract

REVIEWS Duffin demonstrates how fruitful such connections can be once identified (e.g. the messenger Rogero in The Winter’s Tale, named after an ironically appropriate ballad). A useful foreword by Stephen Orgel draws our attention to just how much music would have been heard before, during and after any Shakespearean play. And the volume includes a CD of half of the material. The contents are arranged in alphabetical order by incipit/title, but indexes allow one to find, for example, every piece of music needed to perform, or referred to in, King Lear. A very valuable resource for the theatre as well as for scholars. [doi: 10.1093/fmls/cqi310] GARBER , MARJORIE . A Manifesto for Literary Studies. Seattle, Washington: University of Washington Press, 2004. 80 pp. £11.50/$14.95. ISBN 0–295–98344–2. In the introductory essay, ‘‘Asking literary questions’’, Marjorie Garber surveys the critical theory machine of the 1980s onwards in the US and UK to set out her manifesto, the call for literary criticism to be at the top of the humanities cultural studies agenda. Her reasons are twofold and are explored in the following two essays. First, in ‘‘Who owns ‘Human Nature’?’’, Garber is arguing against science’s hegemony over human endeavour by
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