Roger Martin du Gard and Maumort: The Nobel Laureate and His Unfinished Creation

Roger Martin du Gard and Maumort: The Nobel Laureate and His Unfinished Creation In this rigorously researched and well-written volume, Benjamin Franklin Martin sheds light on the life and creative genius of Roger Martin du Gard, a figure who, despite winning the Nobel Prize for Literature in 1937, has become somewhat marginalized in French literary history. Drawing on a myriad of material from Martin du Gard’s private journals and personal correspondence with those closest to him, Martin is an engaging guide as he measures the milestones through Martin du Gard’s intellectual odyssey. Chapter titles such as ‘Illusions’, ‘Realities’, ‘Hubris’ and ‘Retribution’ highlight the contradictions and dilemmas underpinning the writer’s life story: his emotionally wrought marriage to Hélène Foucault and the tumultuous relationship with their daughter Christiane; his anguish over trying to reconcile his own moral imperatives with the realities of global conflict; and his propensity towards despair despite his success—all of these examples bear witness to the tensions between the public and the private, which this book examines with consummate skill. In parallel with this biographical analysis, Martin also provides an insight into the writer’s literary corpus that both the specialist and non-specialist reader will find illuminating. From Jean Barois (1913), Les Thibault and L’Eté 1914 (1922–40) to the unfinished and posthumously published Lieutenant-Colonel de Maumort (1983), Martin du Gard furnishes what Per Hallström of the Swedish Academy called a ‘most perfected tool: the analysis of his heroes’ thoughts, expressed beyond words, an insight into the darkness which engenders conscious actions’. The incomplete Maumort, ‘a work of surpassing brilliance’, provides an important reference point for Martin, who painstakingly pieces together the fragments of this important work, mirroring Martin du Gard’s own history. The work was set to be the writer’s magnum opus which, as Martin notes, ‘would resurrect the past and parade it for inspection’. Through an analysis of the fictional Maumort, the reader is invited to reconsider the legacy of Martin du Gard himself. And so in this book, a writer who has been closely associated with literary luminaries such as André Gide, Albert Camus and André Malraux finally receives the attention he undoubtedly deserves in his own right. © The Author(s) 2018. Published by Oxford University Press on behalf of the Society for the Study of French History. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png French History Oxford University Press

Roger Martin du Gard and Maumort: The Nobel Laureate and His Unfinished Creation

French History , Volume 32 (1) – Mar 1, 2018

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Publisher
Oxford University Press
Copyright
© The Author(s) 2018. Published by Oxford University Press on behalf of the Society for the Study of French History. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com
ISSN
0269-1191
eISSN
1477-4542
D.O.I.
10.1093/fh/crx070
Publisher site
See Article on Publisher Site

Abstract

In this rigorously researched and well-written volume, Benjamin Franklin Martin sheds light on the life and creative genius of Roger Martin du Gard, a figure who, despite winning the Nobel Prize for Literature in 1937, has become somewhat marginalized in French literary history. Drawing on a myriad of material from Martin du Gard’s private journals and personal correspondence with those closest to him, Martin is an engaging guide as he measures the milestones through Martin du Gard’s intellectual odyssey. Chapter titles such as ‘Illusions’, ‘Realities’, ‘Hubris’ and ‘Retribution’ highlight the contradictions and dilemmas underpinning the writer’s life story: his emotionally wrought marriage to Hélène Foucault and the tumultuous relationship with their daughter Christiane; his anguish over trying to reconcile his own moral imperatives with the realities of global conflict; and his propensity towards despair despite his success—all of these examples bear witness to the tensions between the public and the private, which this book examines with consummate skill. In parallel with this biographical analysis, Martin also provides an insight into the writer’s literary corpus that both the specialist and non-specialist reader will find illuminating. From Jean Barois (1913), Les Thibault and L’Eté 1914 (1922–40) to the unfinished and posthumously published Lieutenant-Colonel de Maumort (1983), Martin du Gard furnishes what Per Hallström of the Swedish Academy called a ‘most perfected tool: the analysis of his heroes’ thoughts, expressed beyond words, an insight into the darkness which engenders conscious actions’. The incomplete Maumort, ‘a work of surpassing brilliance’, provides an important reference point for Martin, who painstakingly pieces together the fragments of this important work, mirroring Martin du Gard’s own history. The work was set to be the writer’s magnum opus which, as Martin notes, ‘would resurrect the past and parade it for inspection’. Through an analysis of the fictional Maumort, the reader is invited to reconsider the legacy of Martin du Gard himself. And so in this book, a writer who has been closely associated with literary luminaries such as André Gide, Albert Camus and André Malraux finally receives the attention he undoubtedly deserves in his own right. © The Author(s) 2018. Published by Oxford University Press on behalf of the Society for the Study of French History. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com

Journal

French HistoryOxford University Press

Published: Mar 1, 2018

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