Notes on Contributors

Notes on Contributors CRAIG BOURNE is a reader in philosophy at the University of Hertfordshire. His research interests are in metaphysics, philosophy of language and aesthetics. His publications include A Future for Presentism (2006) and, with Emily Caddick Bourne, Time in Fiction (2016). He is currently co-editing, with Emily Caddick Bourne, the Routledge Companion to Shakespeare and Philosophy. EMILY CADDICK BOURNE is a visiting research fellow in philosophy at the University of Hertfordshire, and a current Trustee of the British Society of Aesthetics. She works on topics in aesthetics, metaphysics and philosophy of language, especially those relating to fiction. Her publications include Time in Fiction (2016), co-authored with Craig Bourne, and she is currently co-editing, with Craig Bourne, the Routledge Companion to Shakespeare and Philosophy. MARGARET CAMERON (PhD Toronto) is Canada Research Chair in the Aristotelian Tradition and Associate Professor of Philosophy at the University of Victoria. She has published widely in the history of philosophy, particularly in philosophy of language and mind. In addition to journal articles, recent publications include ‘Medieval Theories of Truth’ in Oxford Studies on Truth (2018); ‘The Logica Vetus’ in The Cambridge Companion to Medieval Logic (Cambridge University Press, 2016); Philosophy of Mind in the Early and High Middle Ages (Routledge, 2018); Sourcebook for the History of the Philosophy of Language (Springer, 2016), with Robert J. Stainton and Benjamin Hill; and Linguistic Content: New Essays in the History of the Philosophy of Language (2015), with Robert J. Stainton. Her translation and major study of Peter Abelard’s Treatise on Understanding is currently under review at a major university press. DAAN EVERS is Assistant Professor of Philosophy at the University of Groningen. He specializes in metaethics and increasingly in aesthetics. SUSAN L. FEAGIN is Visiting Research Professor of Philosophy, retired, at Temple University. She is currently working on a book on philosophy of theatre and has published numerous articles and book chapters on topics such as art and emotion, tragedy, empathy, interpretation, art and knowledge, and painting and drawing. She is the author of Reading with Feeling:The Aesthetics of Appreciation (Cornell, 1996), editor of Global Theories of Aesthetics and the Arts (Wiley-Blackwell, 2007) and co-editor of Aesthetics (1997). She is vice president of the American Society for Aesthetics (2017–18; president-elect 2019–20), was editor of The Journal of Aesthetics and Art Criticism from 2003 to 2013, and taught at the University of Missouri-Kansas City 1977–2003. BRANKO MITROVI′C is a professor of architectural history and theory at the Norwegian University of Science and Technology in Trondheim, Norway. He received doctorates in architectural history and philosophy. Branko Mitrovic′ is the author (or co-author) of seven books and has been the recipient of the Humboldt Research Award. JAMES O. YOUNG, FRSC, is Professor of Philosophy at the University of Victoria. He is the author of Global Anti-realism (Avebury, 1995), Art and Knowledge (Routledge, 2001), Cultural Appropriation and the Arts (Wiley-Blackwell, 2008), Critique of Pure Music (2014) and Filosofía de la Música: Respuestas a Peter Kivy (Calanda Ediciones Musicales, 2017), and more than 60 articles in refereed journals. He has translated Charles Batteux, The Fine Arts Reduced to a Single Principle (2015) and edited several books, including Semantics of Aesthetic Judgements (2017). MICHEL-ANTOINE XHIGNESSE is a SSHRC postdoctoral fellow at the University of British Columbia. His research focuses on the definition, ontology, and meta-ontology of art, as well as the problem of truth in fiction. © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.com This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/about_us/legal/notices) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The British Journal of Aesthetics Oxford University Press

Notes on Contributors

The British Journal of Aesthetics , Volume Advance Article (2) – May 16, 2018

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Publisher
Oxford University Press
Copyright
© British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.com
ISSN
0007-0904
eISSN
1468-2842
D.O.I.
10.1093/aesthj/ayy016
Publisher site
See Article on Publisher Site

Abstract

CRAIG BOURNE is a reader in philosophy at the University of Hertfordshire. His research interests are in metaphysics, philosophy of language and aesthetics. His publications include A Future for Presentism (2006) and, with Emily Caddick Bourne, Time in Fiction (2016). He is currently co-editing, with Emily Caddick Bourne, the Routledge Companion to Shakespeare and Philosophy. EMILY CADDICK BOURNE is a visiting research fellow in philosophy at the University of Hertfordshire, and a current Trustee of the British Society of Aesthetics. She works on topics in aesthetics, metaphysics and philosophy of language, especially those relating to fiction. Her publications include Time in Fiction (2016), co-authored with Craig Bourne, and she is currently co-editing, with Craig Bourne, the Routledge Companion to Shakespeare and Philosophy. MARGARET CAMERON (PhD Toronto) is Canada Research Chair in the Aristotelian Tradition and Associate Professor of Philosophy at the University of Victoria. She has published widely in the history of philosophy, particularly in philosophy of language and mind. In addition to journal articles, recent publications include ‘Medieval Theories of Truth’ in Oxford Studies on Truth (2018); ‘The Logica Vetus’ in The Cambridge Companion to Medieval Logic (Cambridge University Press, 2016); Philosophy of Mind in the Early and High Middle Ages (Routledge, 2018); Sourcebook for the History of the Philosophy of Language (Springer, 2016), with Robert J. Stainton and Benjamin Hill; and Linguistic Content: New Essays in the History of the Philosophy of Language (2015), with Robert J. Stainton. Her translation and major study of Peter Abelard’s Treatise on Understanding is currently under review at a major university press. DAAN EVERS is Assistant Professor of Philosophy at the University of Groningen. He specializes in metaethics and increasingly in aesthetics. SUSAN L. FEAGIN is Visiting Research Professor of Philosophy, retired, at Temple University. She is currently working on a book on philosophy of theatre and has published numerous articles and book chapters on topics such as art and emotion, tragedy, empathy, interpretation, art and knowledge, and painting and drawing. She is the author of Reading with Feeling:The Aesthetics of Appreciation (Cornell, 1996), editor of Global Theories of Aesthetics and the Arts (Wiley-Blackwell, 2007) and co-editor of Aesthetics (1997). She is vice president of the American Society for Aesthetics (2017–18; president-elect 2019–20), was editor of The Journal of Aesthetics and Art Criticism from 2003 to 2013, and taught at the University of Missouri-Kansas City 1977–2003. BRANKO MITROVI′C is a professor of architectural history and theory at the Norwegian University of Science and Technology in Trondheim, Norway. He received doctorates in architectural history and philosophy. Branko Mitrovic′ is the author (or co-author) of seven books and has been the recipient of the Humboldt Research Award. JAMES O. YOUNG, FRSC, is Professor of Philosophy at the University of Victoria. He is the author of Global Anti-realism (Avebury, 1995), Art and Knowledge (Routledge, 2001), Cultural Appropriation and the Arts (Wiley-Blackwell, 2008), Critique of Pure Music (2014) and Filosofía de la Música: Respuestas a Peter Kivy (Calanda Ediciones Musicales, 2017), and more than 60 articles in refereed journals. He has translated Charles Batteux, The Fine Arts Reduced to a Single Principle (2015) and edited several books, including Semantics of Aesthetic Judgements (2017). MICHEL-ANTOINE XHIGNESSE is a SSHRC postdoctoral fellow at the University of British Columbia. His research focuses on the definition, ontology, and meta-ontology of art, as well as the problem of truth in fiction. © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.com This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/about_us/legal/notices)

Journal

The British Journal of AestheticsOxford University Press

Published: May 16, 2018

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