Books Received

Books Received Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned. Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’. Ed. By Michael Allis. Pp. xi + 298. (Boydell Press, Woodbridge and Rochester, NY, 2017. £75. ISBN 978-1-78327-233-4.) A Theory of Musical Narrative. By Byron Almén. Pp. xiv + 248. (Indiana University Press, Bloomington, 2008/2017. $28.99. ISBN 978-0-253-03009-2.) The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. By Matthew Arndt. Pp. 282. Ashgate Studies in Theory and Analysis of Music after 1900. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1382-8725-9.) Music, Modern Culture, and the Critical Ear. Ed. by Nicholas Attfield and Ben Winters. Pp. 270. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7686-9.) Le Modèle et l’invention: Messiaen at la technique de l’emprunt. By Yves Balmer, Thomas Lacôte, and Christopher Brent Murray. Pp. iv + 617. Collection Symétrie Recherche Série, 20–21. (Symétrie, Lyon, 2017. €65. ISBN 978-2-36485-045-3.) Music in the West Country: Social and Cultural History across an English Region. By Stephen Banfield. Pp. xx+ 458. Music in Britain, 1600–2000. (Boydell Press, Woodbridge and Rochester, NY, 2018. £30. ISBN 978-1-78327-273-0.) Andreas Werckmeister’s Musicalische Paradoxal-Discourse: A Well-Tempered Universe. Trans. Dietrich Bartel. Pp. xv + 157. Contextual Bach Studies. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2018. £60. ISBN 978-1-4985-6634-6.) György Ligeti’s Cultural Identities. Ed. by Amy Bauer and Márton Kerékfy. Pp. 270 (Routledge, Abingdon and New York, 2017. £110. ISBN 978-1-4724-7364-6.) Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. Ed. By Pierre-Yves Beaurepaire, Philippe Bourdin, and Charlotta Wolff. Pp. xi + 391. Oxford University Studies in the Enlightenment. (Voltaire Foundation, Oxford, 2018. £75. ISBN 978-0-7294-1206-3.) Späte Aufzeichnungen von Richard Strauss. Ed. by Marion Beyer, Jürgen May, and Walter Werbeck. Veröffentlichungen der Richard-Strauss-Gesellschaft. (Schott, Mainz, 2016. £49.99. ISBN 978-3-7957-1092-7.) Veröffentlichungen der Johannes-Brahms-Gesellschaft Hamburg. Ed. by Beatrix Borchard and Kerstin Schüssler-Bach. Pp. 364. Brahms-Studien, 18. (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2017. €25. ISBN 978-3-487-15648-4.) Musical Improvisation and Open Forms in the Age of Beethoven. Ed. by Gianmario Borio and Angela Carone. Pp. 244. (Routledge, Abingdon and New York, 2017. £115. ISBN 978-1-1382-2296-0.) The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies. Ed. By Catherine A. Bradley and Karen Desmond. Pp. xviii + 334. Studies in Medieval and Renaissance Music. (Boydell Press, Woodbridge and Rochester, NY, 2018. £75. ISBN 978-1-78327-272-3.) Defining the Discographic Self: Desert Island Discs in Context. Ed. By Julie Brown, Nicholas Cook, and Stephen Cottrell. Pp. xxiv + 303. Proceedings of the British Academy. (Oxford University Press for the British Academy, New York and Oxford, 2017. £80. ISBN 978-0-19-726617-5.) The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ed. By Lori Burns and Serge Lacasse. Pp. xx + 360. Tracking Pop. (University of Michigan Press, Ann Arbor, 2018. $85. ISBN 978-0-472-13067-2.) Posthuman Rap. By Justin Adams Burton. Pp. xv + 155. (Oxford University Press, New York and Oxford, 2017. £22.99. ISBN 978-0-19-023546-8.) Manuel de Falla and Visions of Spanish Music. By Michael Christoforidis. Pp. 298. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-0-7546-3193-4.) Recomposing the Past: Representations of Early Music on Stage and Screen. Ed. by James Cook, Alexander Kolassa, and Adam Whittaker. Pp. 260. Ashgate Screen Music Series. (Routledge, Abingdon and New York, 2018. £115. ISBN 978-1-1382-8747-1.) The Creation of Beethoven’s 35 Piano Sonatas. By Barry Cooper. Pp. 228. Ashgate Historical Keyboard Series. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-1431-1.) The Music and Theory of Paul Hindemith. By Simon Desbruslais. Pp. xviii + 340. (Boydell Press, Woodbridge and Rochester, NY, 2017. £60. ISBN 978-1-78327-210-5.) Chant, Liturgy and the Inheritance of Rome: Essays in Honour of Joseph Dyer. Ed. By Daniel J. DiCenso and Rebecca Maloy. Pp. xxiv + 572. (Henry Bradshaw Society, Boydell & Brewer, Woodbridge and Rochester, NY, 2017. £60. ISBN 978-1-907497-34-6.) The Scientia artis musice of Hélie Salomon: Teaching Music in the Late Thirteenth Century: Latin Text with English Translation and Commentary. By Joseph Dyer. Pp. 304. (Routledge, Abingdon and New York, 2018. £115. ISBN 978-1-1382-8166-0.) Verdi’s Exceptional Women: Giuseppina Strepponi and Teresa Stolz. By Caroline Anne Ellsmore. Pp. 238. (Routledge, Abingdon and New York, 2017. £115. ISBN 978-1-1387-3570-5.) Deep Refrains: Music, Philosophy, and the Ineffable. By Michael Gallope. Pp. ix + 337. (University of Chicago Press, Chicago and London, 2017. £26.50. ISBN 978-0-226-48369-6.) Experiencing Chopin: A Listener’s Companion. By Christine Lee Gengaro. Pp. xxiv + 181. (Rowman & Littlefield, Lanham, Md., Boulder, Col., New York, and London, 2018. £24.95. ISBN 978-1-4422-6086-3.) Les Principes fondamentaux de la musique occidentale: Un demi-millénnaire de polyphonie (1400–1900). By Serge Gut. (Beauchesne, Paris, 2017. €48. ISBN 978-2-7010-2238-3.) Grand Opera outside Paris: Opera on the Move in Nineteenth-Century Europe. Ed. by Jens Hesselager. Pp. 236. Ashgate Interdisciplinary Studies in Opera. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1382-0201-6.) C. P. E. Bach und Hamburg: Generationenfolgen in der Musik. Zum 300. Geburtstag von Carl Philipp Emanuel Bach. Ed. by Tobias Janz, Kathrin Kirsch, and Ivana Rentsch. Pp. 271. Studien und Materialien zur Musikwissenschaft, 97 (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2017. €39.80. ISBN 978-3-487-15473-2.) Over and Over: Exploring Repetition in Popular Music. Ed. by Olivier Julien and Christophe Levaux. Pp. xvii + 189. (Bloomsbury Academic, London and New York, 2018. £88. ISBN 978-1-5013-2488-8.) Counterpoints: Dialogues between Music and the Visual Arts. By Philippe Junod. Pp. 317. (Reaktion Books, London, 2017. £30. ISBN 978-1-78023-811-1.) The Praise of Musicke, 1586: An Edition with Commentary. By Hyun-Ah Kim. Pp. 208. Music Theory in Britain, 1500–1700: Critical Editions. (Routledge, Abingdon and New York, 2016. £105. ISBN 978-1-4724-7302-8.) Georg Friedrich Händel: Francesco Maria Ruspoli e Roma. By Ursula Kirkendale. Pp. xxv + 228. (Libreria Musicale Italiana, Lucca, 2017. €30. ISBN 978-88-7096-061-1.) Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism. By Raymond Knapp. Pp. xxi + 380. (Duke University Press, Durham, NC and London, 2018. £23.99. ISBN 978-0-8223-6039-1.) Czech Music around 1900. By Lenka Křupková, Jiří Kopecký, et al. Pp. vi + 324. Studies in Czech Music, 6 (Pendragon Press, Hillsdale, NY, 2017. £50. ISBN 978-1-57647-302-3.) Critical Lives: Leonard Bernstein. By Paul R. Laird. Pp. 216. Critical Lives. Reaktion Books, London, 2018. £11.99. ISBN 978-1-78023-910-1.) Musical Illuminations of Genesis Narratives. By Helen Leneman. Pp. xiii + 295. Scriptural Traces: Critical Perspectives on the Reception and Influence of the Bible, 12. (Bloomsbury Academic, London and New York, 2018. £95. ISBN 978-0-567-67373-2.) Brahms and his Poets: A Handbook. By Natasha Loges. Pp. xvi + 480. (Boydell Press, Woodbridge and Rochester, NY, 2017. £50. ISBN 978-1-78327-236-5.) Tempesta: Stormy Music in the Eighteenth Century. By Clive McClelland. Pp. xiv + 241 (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £70. ISBN 978-1-4985-1992-2.) Samuel Beckett, Repetition and Modern Music. By John McGrath. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7537-4.) Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach. By Angela Mariani. Pp. xxi + 232. (Oxford University Press, New York and Oxford, 2017. £16.99. ISBN 978-0-19-063118-5.) Phil Spector: Sound of the Sixties. By Sean MacLeod. Pp. xlv + 239. (Rowman & Littlefield, Lanham, Md., Boulder, Col., New York, and London, 2018. £24.95. ISBN 978-1-4422-4681-2.) Concertos of the Classical Viennese School, c.1780–1810, and their Scoring. By Richard Maunder. Pp. iv + 116. (Corda Music, St Albans, 2017. £15. ISBN 978-0-9528220-8-0.) Historical Interplay in French Music and Culture, 1860–1960. Ed. by Deborah Mawer. Pp. 254. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7475-9.) Tyranny and Music. Ed. By Joseph E. Morgan and Gregory N. Reish. Pp. xviii + 263. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £70. ISBN 978-1-4985-1992-2.) Managing Stage Fright: A Guide for Musicians and Music Teachers. By Julie Jaffee Nagel. Pp. xxix + 200. (Oxford University Press, New York and Oxford, 2017. £12.99. ISBN 978-0-19-063203-8.) Die Leiblichkeit der Musik: Studien zur musikalischen Wissenskultur in Padua und zur frühen Trecento-Ballata (1250–1360). By Matteo Nanni. Pp. 509. Musica Mensurabilis 8. (Georg Olms Verlag, Hildesheim, Zurich and New York, 2018. ISBN 978-3-487-15614-9.) Musical Theatre in Europe 1830–1945. Ed. by Michela Niccolai and Clair Rowden. Pp. xviii + 479. Speculum Musicae, 30 (Brepols Publishers n.v., Turnhout, 2017. €110. ISBN 978-2-503-57766-1.) Paul Bekker’s Musical Ethics. By Nanette Nielsen. Pp. 242. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-8622-6.) Commemorating Gallipoli through Music: Remembering and Forgetting. By John Morgan O’Connell. Pp. xxxvi + 295. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £75. ISBN 978-1-4985-5620-0.) The Masses of Seán and Padar Ó Riada. By John O’Keefe. Pp. x + 298. (Cork University Press, Cork, 2017. £35. ISBN 978-1-78205-235-7.) J. S. Bach and his Sons. Ed. by Mary Oleskiewicz. Pp. x + 191. Bach Perspectives 11. (University of Illinois Press, Urbana, Chicago, and Springfield, 2017. £50.00. ISBN 978-0-252-04148-8.) Luciano Berio: Interviste e colloqui. Ed. by Vincenzina Caterina Ottomano. Pp. xl + 518. (Einaudi, Turin, 2017. €34. ISBN 978-88-06-19956-2.) Aural Architecture in Byzantium: Music, Acoustics, and Ritual. Ed. by Bissera Pentcheva. Pp. 258. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-8515-1.) Motets from the Chansonnier de Noailles. Ed. by Gaël Saint-Cricq with Eglal Doss-Quinby and Samuel N. Rosenberg. Recent Researches in the Music of the Middle Ages and Early Renaissance. (A-R Editions, Middleton, Wis., 2017. $360. ISBN 978-0-89579-862-6.) Music, Time, and its Other: Aesthetic Reflections on Finitude, Temporality, and Alterity. By Roger W. H. Savage. Pp. 232 (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1386-7966-5.) Musicians’ Migratory Patterns: The Adriatic Coasts. Ed. by Franco Sciannameo. Pp. 126. CMS Cultural Expressions in Music. (Routledge, Abingdon and New York, 2017. £45. ISBN 978-1-3857-6910-0.) Charles Avison in Context: National and International Musical Links in Eighteenth-Century North-East England. Edited by Roz Southey and Eric Cross. Pp. 222. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7075-6.) Singing across Divides: Music and Intimate Politics in Nepal. By Anna Marie Stirr. pp. xx + 288. (Oxford University Press, New York and Oxford, 2017. £22.99. ISBN 978-0-19-063198-7.) Arthur Sullivan: A Musical Reappraisal. By Benedict Taylor. Pp. 232. Music in Nineteenth-Century Britain. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4094-6910-0.) The Sixteenth-Century Trombone: Dimensions, Materials and Techniques. By Hannes Vereecke. Pp. 254. (Brepols Publishers n.v., Turnhout, 2016. €75. ISBN 978-2-503-56639-9.) The Regulation and Reform of Music Criticism in Nineteenth-Century England. By Paul Watt. Pp. 132. RMA Monographs. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1382-8866-9.) The Music of Tragedy: Performance and Imagination in Euripidean Theater. By Naomi A. Weiss. Pp. xiii + 284. (University of California Press, Oakland, Calif., 2018. £79.95. ISBN 978-0-520-29590-2.) What Opera Means: Categories and Case-studies. By Christopher Wintle. Pp. xv + 272. Defining Opera. (Plumbago Books, London, 2018. £45. ISBN 978-0-9931983-4-2.) James Joyce and Absolute Music. By Michelle Witen. Historicizing Modernism. (Bloomsbury Academic, London and New York, 2018. £55. ISBN 978-1-350-01422-0.) Published by Oxford University Press 2018. This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/about_us/legal/notices) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music and Letters Oxford University Press

Books Received

Music and Letters , Volume Advance Article (1) – May 15, 2018

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Oxford University Press
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Published by Oxford University Press 2018.
ISSN
0027-4224
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1477-4631
D.O.I.
10.1093/ml/gcy033
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Abstract

Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned. Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’. Ed. By Michael Allis. Pp. xi + 298. (Boydell Press, Woodbridge and Rochester, NY, 2017. £75. ISBN 978-1-78327-233-4.) A Theory of Musical Narrative. By Byron Almén. Pp. xiv + 248. (Indiana University Press, Bloomington, 2008/2017. $28.99. ISBN 978-0-253-03009-2.) The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. By Matthew Arndt. Pp. 282. Ashgate Studies in Theory and Analysis of Music after 1900. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1382-8725-9.) Music, Modern Culture, and the Critical Ear. Ed. by Nicholas Attfield and Ben Winters. Pp. 270. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7686-9.) Le Modèle et l’invention: Messiaen at la technique de l’emprunt. By Yves Balmer, Thomas Lacôte, and Christopher Brent Murray. Pp. iv + 617. Collection Symétrie Recherche Série, 20–21. (Symétrie, Lyon, 2017. €65. ISBN 978-2-36485-045-3.) Music in the West Country: Social and Cultural History across an English Region. By Stephen Banfield. Pp. xx+ 458. Music in Britain, 1600–2000. (Boydell Press, Woodbridge and Rochester, NY, 2018. £30. ISBN 978-1-78327-273-0.) Andreas Werckmeister’s Musicalische Paradoxal-Discourse: A Well-Tempered Universe. Trans. Dietrich Bartel. Pp. xv + 157. Contextual Bach Studies. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2018. £60. ISBN 978-1-4985-6634-6.) György Ligeti’s Cultural Identities. Ed. by Amy Bauer and Márton Kerékfy. Pp. 270 (Routledge, Abingdon and New York, 2017. £110. ISBN 978-1-4724-7364-6.) Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. Ed. By Pierre-Yves Beaurepaire, Philippe Bourdin, and Charlotta Wolff. Pp. xi + 391. Oxford University Studies in the Enlightenment. (Voltaire Foundation, Oxford, 2018. £75. ISBN 978-0-7294-1206-3.) Späte Aufzeichnungen von Richard Strauss. Ed. by Marion Beyer, Jürgen May, and Walter Werbeck. Veröffentlichungen der Richard-Strauss-Gesellschaft. (Schott, Mainz, 2016. £49.99. ISBN 978-3-7957-1092-7.) Veröffentlichungen der Johannes-Brahms-Gesellschaft Hamburg. Ed. by Beatrix Borchard and Kerstin Schüssler-Bach. Pp. 364. Brahms-Studien, 18. (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2017. €25. ISBN 978-3-487-15648-4.) Musical Improvisation and Open Forms in the Age of Beethoven. Ed. by Gianmario Borio and Angela Carone. Pp. 244. (Routledge, Abingdon and New York, 2017. £115. ISBN 978-1-1382-2296-0.) The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies. Ed. By Catherine A. Bradley and Karen Desmond. Pp. xviii + 334. Studies in Medieval and Renaissance Music. (Boydell Press, Woodbridge and Rochester, NY, 2018. £75. ISBN 978-1-78327-272-3.) Defining the Discographic Self: Desert Island Discs in Context. Ed. By Julie Brown, Nicholas Cook, and Stephen Cottrell. Pp. xxiv + 303. Proceedings of the British Academy. (Oxford University Press for the British Academy, New York and Oxford, 2017. £80. ISBN 978-0-19-726617-5.) The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ed. By Lori Burns and Serge Lacasse. Pp. xx + 360. Tracking Pop. (University of Michigan Press, Ann Arbor, 2018. $85. ISBN 978-0-472-13067-2.) Posthuman Rap. By Justin Adams Burton. Pp. xv + 155. (Oxford University Press, New York and Oxford, 2017. £22.99. ISBN 978-0-19-023546-8.) Manuel de Falla and Visions of Spanish Music. By Michael Christoforidis. Pp. 298. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-0-7546-3193-4.) Recomposing the Past: Representations of Early Music on Stage and Screen. Ed. by James Cook, Alexander Kolassa, and Adam Whittaker. Pp. 260. Ashgate Screen Music Series. (Routledge, Abingdon and New York, 2018. £115. ISBN 978-1-1382-8747-1.) The Creation of Beethoven’s 35 Piano Sonatas. By Barry Cooper. Pp. 228. Ashgate Historical Keyboard Series. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-1431-1.) The Music and Theory of Paul Hindemith. By Simon Desbruslais. Pp. xviii + 340. (Boydell Press, Woodbridge and Rochester, NY, 2017. £60. ISBN 978-1-78327-210-5.) Chant, Liturgy and the Inheritance of Rome: Essays in Honour of Joseph Dyer. Ed. By Daniel J. DiCenso and Rebecca Maloy. Pp. xxiv + 572. (Henry Bradshaw Society, Boydell & Brewer, Woodbridge and Rochester, NY, 2017. £60. ISBN 978-1-907497-34-6.) The Scientia artis musice of Hélie Salomon: Teaching Music in the Late Thirteenth Century: Latin Text with English Translation and Commentary. By Joseph Dyer. Pp. 304. (Routledge, Abingdon and New York, 2018. £115. ISBN 978-1-1382-8166-0.) Verdi’s Exceptional Women: Giuseppina Strepponi and Teresa Stolz. By Caroline Anne Ellsmore. Pp. 238. (Routledge, Abingdon and New York, 2017. £115. ISBN 978-1-1387-3570-5.) Deep Refrains: Music, Philosophy, and the Ineffable. By Michael Gallope. Pp. ix + 337. (University of Chicago Press, Chicago and London, 2017. £26.50. ISBN 978-0-226-48369-6.) Experiencing Chopin: A Listener’s Companion. By Christine Lee Gengaro. Pp. xxiv + 181. (Rowman & Littlefield, Lanham, Md., Boulder, Col., New York, and London, 2018. £24.95. ISBN 978-1-4422-6086-3.) Les Principes fondamentaux de la musique occidentale: Un demi-millénnaire de polyphonie (1400–1900). By Serge Gut. (Beauchesne, Paris, 2017. €48. ISBN 978-2-7010-2238-3.) Grand Opera outside Paris: Opera on the Move in Nineteenth-Century Europe. Ed. by Jens Hesselager. Pp. 236. Ashgate Interdisciplinary Studies in Opera. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-1382-0201-6.) C. P. E. Bach und Hamburg: Generationenfolgen in der Musik. Zum 300. Geburtstag von Carl Philipp Emanuel Bach. Ed. by Tobias Janz, Kathrin Kirsch, and Ivana Rentsch. Pp. 271. Studien und Materialien zur Musikwissenschaft, 97 (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2017. €39.80. ISBN 978-3-487-15473-2.) Over and Over: Exploring Repetition in Popular Music. Ed. by Olivier Julien and Christophe Levaux. Pp. xvii + 189. (Bloomsbury Academic, London and New York, 2018. £88. ISBN 978-1-5013-2488-8.) Counterpoints: Dialogues between Music and the Visual Arts. By Philippe Junod. Pp. 317. (Reaktion Books, London, 2017. £30. ISBN 978-1-78023-811-1.) The Praise of Musicke, 1586: An Edition with Commentary. By Hyun-Ah Kim. Pp. 208. Music Theory in Britain, 1500–1700: Critical Editions. (Routledge, Abingdon and New York, 2016. £105. ISBN 978-1-4724-7302-8.) Georg Friedrich Händel: Francesco Maria Ruspoli e Roma. By Ursula Kirkendale. Pp. xxv + 228. (Libreria Musicale Italiana, Lucca, 2017. €30. ISBN 978-88-7096-061-1.) Making Light: Haydn, Musical Camp, and the Long Shadow of German Idealism. By Raymond Knapp. Pp. xxi + 380. (Duke University Press, Durham, NC and London, 2018. £23.99. ISBN 978-0-8223-6039-1.) Czech Music around 1900. By Lenka Křupková, Jiří Kopecký, et al. Pp. vi + 324. Studies in Czech Music, 6 (Pendragon Press, Hillsdale, NY, 2017. £50. ISBN 978-1-57647-302-3.) Critical Lives: Leonard Bernstein. By Paul R. Laird. Pp. 216. Critical Lives. Reaktion Books, London, 2018. £11.99. ISBN 978-1-78023-910-1.) Musical Illuminations of Genesis Narratives. By Helen Leneman. Pp. xiii + 295. Scriptural Traces: Critical Perspectives on the Reception and Influence of the Bible, 12. (Bloomsbury Academic, London and New York, 2018. £95. ISBN 978-0-567-67373-2.) Brahms and his Poets: A Handbook. By Natasha Loges. Pp. xvi + 480. (Boydell Press, Woodbridge and Rochester, NY, 2017. £50. ISBN 978-1-78327-236-5.) Tempesta: Stormy Music in the Eighteenth Century. By Clive McClelland. Pp. xiv + 241 (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £70. ISBN 978-1-4985-1992-2.) Samuel Beckett, Repetition and Modern Music. By John McGrath. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7537-4.) Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach. By Angela Mariani. Pp. xxi + 232. (Oxford University Press, New York and Oxford, 2017. £16.99. ISBN 978-0-19-063118-5.) Phil Spector: Sound of the Sixties. By Sean MacLeod. Pp. xlv + 239. (Rowman & Littlefield, Lanham, Md., Boulder, Col., New York, and London, 2018. £24.95. ISBN 978-1-4422-4681-2.) Concertos of the Classical Viennese School, c.1780–1810, and their Scoring. By Richard Maunder. Pp. iv + 116. (Corda Music, St Albans, 2017. £15. ISBN 978-0-9528220-8-0.) Historical Interplay in French Music and Culture, 1860–1960. Ed. by Deborah Mawer. Pp. 254. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-7475-9.) Tyranny and Music. Ed. By Joseph E. Morgan and Gregory N. Reish. Pp. xviii + 263. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £70. ISBN 978-1-4985-1992-2.) Managing Stage Fright: A Guide for Musicians and Music Teachers. By Julie Jaffee Nagel. Pp. xxix + 200. (Oxford University Press, New York and Oxford, 2017. £12.99. ISBN 978-0-19-063203-8.) Die Leiblichkeit der Musik: Studien zur musikalischen Wissenskultur in Padua und zur frühen Trecento-Ballata (1250–1360). By Matteo Nanni. Pp. 509. Musica Mensurabilis 8. (Georg Olms Verlag, Hildesheim, Zurich and New York, 2018. ISBN 978-3-487-15614-9.) Musical Theatre in Europe 1830–1945. Ed. by Michela Niccolai and Clair Rowden. Pp. xviii + 479. Speculum Musicae, 30 (Brepols Publishers n.v., Turnhout, 2017. €110. ISBN 978-2-503-57766-1.) Paul Bekker’s Musical Ethics. By Nanette Nielsen. Pp. 242. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-8622-6.) Commemorating Gallipoli through Music: Remembering and Forgetting. By John Morgan O’Connell. Pp. xxxvi + 295. (Lexington Books, Lanham, Md., Boulder, Col., New York, and London, 2017. £75. ISBN 978-1-4985-5620-0.) The Masses of Seán and Padar Ó Riada. By John O’Keefe. Pp. x + 298. (Cork University Press, Cork, 2017. £35. ISBN 978-1-78205-235-7.) J. S. Bach and his Sons. Ed. by Mary Oleskiewicz. Pp. x + 191. Bach Perspectives 11. (University of Illinois Press, Urbana, Chicago, and Springfield, 2017. £50.00. ISBN 978-0-252-04148-8.) Luciano Berio: Interviste e colloqui. Ed. by Vincenzina Caterina Ottomano. Pp. xl + 518. (Einaudi, Turin, 2017. €34. ISBN 978-88-06-19956-2.) Aural Architecture in Byzantium: Music, Acoustics, and Ritual. Ed. by Bissera Pentcheva. Pp. 258. (Routledge, Abingdon and New York, 2017. £105. ISBN 978-1-4724-8515-1.) Motets from the Chansonnier de Noailles. Ed. by Gaël Saint-Cricq with Eglal Doss-Quinby and Samuel N. Rosenberg. 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Music and LettersOxford University Press

Published: May 15, 2018

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