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Bob Sturm (2002)
SURF MUSIC: SONIFICATION OF OCEAN BUOY SPECTRAL DATA
(1986)
The Wave Organ.” Available online at www.exploratorium.edu/visit /wave-organ
Computer Music Journal
T. Hermann, Andy Hunt (2005)
An introduction to interactive sonification
(2002)
“New organ will be played by the sea.”
Music Journal Acknowledgments
Norberto Degara, F. Nagel, T. Hermann (2013)
SONEX: An Evaluation Exchange Framework for Reproducible Sonification
(2005)
Sea Organ on the New Marine Parade of the Zadar Peninsula.” Available online at www.publicspace.org/en/works/d078-morske-orgulje /prize:2006
Thanks to Plym outh University Marine Institute and their research and technical team w ho helped in d eveloping the Sound -Wave d em onstration
(2005)
Sea organ on the new m arine parad e of the Zad ar peninsula
Megan Bednarz, H. Bokuniewicz, T. Vallier (2011)
Experiments in the Sonification of the Seismic Signature of Ocean Surf Prepared
Steve Mann, Ryan Janzen, M. Post (2006)
Hydraulophone design considerations: absement, displacement, and velocity-sensitive music keyboard in which each key is a water jet
T. Hermann, Andy Hunt (2005)
Guest Editors' Introduction: An Introduction to Interactive SonificationIEEE Multim., 12
E. Berdahl, Wendy Ju (2011)
Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
Bob Sturm (2005)
Pulse of an Ocean: Sonification of Ocean Buoy DataLeonardo, 38
Interactive sonification can provide a platform for demonstration and education as well as for monitoring and investigation. We present a system designed to demonstrate the facilities of the UK's most advanced large-scale research wave tank. The interactive sonification of water waves in the “ocean basin” wave tank at Plymouth University consisted of a number of elements: generation of ocean waves, acquisition and sonification of ocean-wave measurement data, and gesture-controlled pitch and amplitude of sonifications. The generated water waves were linked in real time to sonic features via depth monitors and motion tracking of a floating buoy. Types of water-wave patterns, varying in shape and size, were selected and triggered using wireless motion detectors attached to the demonstrator's arms. The system was implemented on a network of five computers utilizing Max/MSP alongside specialist marine research software, and was demonstrated live in a public performance for the formal opening of the Marine Institute building.
Computer Music Journal – MIT Press
Published: Sep 1, 2015
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