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EDITORIAL Looking Ahead and Looking Back Bonnie Marranca n January PAJ published its 100th issue, celebrating the event with a special theme for the occasion, âPerformance New York.â It was a time for us to reflect on thirty-five years of publishing from the vantage point of a vastly different cultural and political landscape than the one we entered at PAJâs founding, in 1976. In numerous contributions by artists, curators, presenters, and critics representing several generations, and exploring multiple art forms, we focused on central themes such as Belief, Being Contemporary, Performance and Science, and Writing and Performance. Other conversations on working downtown, and on crossovers between theatre and visual art, highlighted important issues on what is at stake today in establishing a career, an institution, or a company outside the mainstream. Portfolios of drawings by several artists are also included the issue. PAJ 100 was also an occasion for us to enhance our Website (www.mitpressjournals .org/paj) with podcasts of several artists speaking their responses to the journalâs main themes, and additional links to the public talks we held at Location One, the SoHo gallery, organized around some of the issue topics. Over the last two years PAJ has
PAJ: A Journal of Performance and Art – MIT Press
Published: May 1, 2012
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