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Gordon Matta-Clark. Reality Properties: Fake Estates (Maspeth Onion), 1973. Collage: 4 black-and-white photographs mounted on separate board, deed, map. Dimensions variable. All photographs courtesy of the Estate of Gordon Matta-Clark and David Zwirner Gallery, New York; © 2004 Artists Rights Society (ARS), New York, and DACS, London. Gordon Matta-Clark: Drawing on Architecture STEPHEN WALKER Part I: Design Drawings At the Drawing Board; Architectural Representation and Abstract Space When a Measurement Doesnât Work . . . a More Intimate Notion of Space Beginings [sic] . . . âGordon Matta-Clark 1 I donât know what the word âspaceâ means. . . . I keep using it. But Iâm not quite sure what it means. âGordon Matta-Clark2 The artist Gordon Matta-Clark frequently expressed his interest in human experience that lay beyond objective measurement and was critical of attempts to restrict experience to that which could be measured. Following his training as an architect at Cornell in the 1960s, he was particularly concerned with architectureâs implication in the maintenance of this restrictive situation, and his subsequent artistic oeuvre contested this in a variety of ways. One enduring aspect of his work involved his redeployment of architectural drawing: although architects use a variety
Grey Room – MIT Press
Published: Jan 1, 2005
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