TA L K I N G R E L IG ION , C O M PA R AT I V E LY S P E A K I N G : T H R O W I N G S O M E L I G H T O N T H E M U LT I CONFESSIONAL LANDSCAPE OF L AT E M E D I E VA L I B E R I A Cynthia Robinson C O R N E L L U N I V E R SI T Y Introduction: Methods and Questions Despite its general title, this essay will be anchored by an object that is likely to be at least somewhat familiar to most readers. On 5 June 1455, some three years before his death, Íñigo Lopez de Mendoza, the first Marqués of Santillana, added a codicil to his will. In it, he arranged for the placement of an altarpiece, to which he referred, as will I, as the "Retablo de los Ángeles" (or, the "Altarpiece of the Angels"), that he had recently commissioned from a painter named Jorge Inglés, atop the main altar of the church attached to the hospital
La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures – La corónica: Journal of Medieval Hispanic Languages, Literatures & Culture
Published: Jan 19, 2012
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