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Primero Huerto: Iconography, Anamorphism, and the Idea of the Garden in Sixteenth-Century Spanish Mysticism

Primero Huerto: Iconography, Anamorphism, and the Idea of the Garden in Sixteenth-Century Spanish... PRIMERO HUERTO: I C O N O G R A P H Y, A N A M O R P H I S M , A N D T H E IDEA OF THE GARDEN IN SIXTEENTHC E N T U R Y S PA N I S H M Y S T I C I S M María M. Carrión E M O RY U N I V E R SI T Y O marvel! a garden amidst flames Muhyiddin Ibn `Arabi, "Poem 11", Tarjumn al-Ashwq (Interpreter of Desires) The figure of the garden appears in numerous artistic, architectural, and literary texts associated with mystical discourses and practices. These texts usually render the garden as fertile grounds for planting, sowing and harvesting, for meditation and stillness, and for numerous other tenets of generative events and narratives. In a fitting tribute to the poetic fabric of the Book of Genesis from the Hebrew Bible, Ronald King begins his own narrative of The Quest for Paradise with the concept of "The Garden of Eden", which he lifts from the biblical tale of the perfect moment of union between man and his creator: LA CORÓNICA 41.1 FALL 2012 61-92 CARRIÓN http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures La corónica: Journal of Medieval Hispanic Languages, Literatures & Culture

Primero Huerto: Iconography, Anamorphism, and the Idea of the Garden in Sixteenth-Century Spanish Mysticism

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Publisher
La corónica: Journal of Medieval Hispanic Languages, Literatures & Culture
Copyright
Copyright © MLA Division on Medieval Hispanic Languages, Literatures, and Cultures
ISSN
1947-4261
Publisher site
See Article on Publisher Site

Abstract

PRIMERO HUERTO: I C O N O G R A P H Y, A N A M O R P H I S M , A N D T H E IDEA OF THE GARDEN IN SIXTEENTHC E N T U R Y S PA N I S H M Y S T I C I S M María M. Carrión E M O RY U N I V E R SI T Y O marvel! a garden amidst flames Muhyiddin Ibn `Arabi, "Poem 11", Tarjumn al-Ashwq (Interpreter of Desires) The figure of the garden appears in numerous artistic, architectural, and literary texts associated with mystical discourses and practices. These texts usually render the garden as fertile grounds for planting, sowing and harvesting, for meditation and stillness, and for numerous other tenets of generative events and narratives. In a fitting tribute to the poetic fabric of the Book of Genesis from the Hebrew Bible, Ronald King begins his own narrative of The Quest for Paradise with the concept of "The Garden of Eden", which he lifts from the biblical tale of the perfect moment of union between man and his creator: LA CORÓNICA 41.1 FALL 2012 61-92 CARRIÓN

Journal

La corónica: A Journal of Medieval Hispanic Languages, Literatures, and CulturesLa corónica: Journal of Medieval Hispanic Languages, Literatures & Culture

Published: Jan 19, 2012

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